English fiction -- 20th century; Lancashire (England) -- Fiction
Edward did, but he glanced at his mother, whose one contribution to
their discussion had been a reproof of him, of him, who had been so
splendidly restrained! Why, then, should he spare her? Why, if she
had deserted to the other side, should he not roll out his whole
impeachment? Why not, even though it implicated her, even though he must
suggest’ that she was accessory to the weaving of the web in which
he struggled? He thought she was, because of that one sharp cry, on
Reuben’s side in this.
She read that thought. She saw how wildly he who should have known
better was misunderstanding her, and it added to a suffering she had
not thought possible to increase. Was this her moment, then? Sooner or
later, she must intervene, she must throw in her weight for Edward at
whatever strain upon her loyalty to Reuben, but it must be at the right
moment and probably that moment would not come yet, when Edward was
present to confuse her by his indiscretions, but later, when she was
alone with Reuben. It was enormously, it was vitally important that she
should choose her moment well. If she spoke now, she would of course
correct the mistake that Edward was so cruelly making about her, but
that was not to the main point. She would not, if she could help it,
speak till she was sure that the favorable moment had arrived. All else
was to be subordinate to that.
Reuben followed Edward’s glance. “Yes,” he said, “you are distressing
your mother,” and, certainly, she felt her moment was escaping her. If
she spoke now she must say, “No, Reuben. You, not Edward, are the
cause of my distress,” and she could not say that. She could only wait,
feeling that to wait was to risk her moment’s never coming at all.
“I see we are distressing her,” said Edward, studiously abstaining from
putting emphasis upon the “we.”
“And the many more things that I might say shall not be said. I will
take a short cut to the end. The end is my absolute refusal to go into
the factory upon any terms whatever.”
Reuben rose, with clenched fists. He had not the intention of striking
his son, but the impulse was irresistible to dominate the slighter man,
to stand menacingly over him. How in this should she find her moment?
Where if temper rose, if Reuben did the unforgivable, if he struck
Edward, where was her opportunity to make a peace and gain her point? As
she had cried “Edward!”, so now, “Reuben!” she cried, and put a hand on
his.
He responded instantly to the sound of her voice and the touch of her
hand. “You are right, Dorothy,” he said. “We must not flatter our young
comedian by taking him gravely.”
“That is an insult, sir,” said Edward.
“In comedy,” Reuben smiled suavely at him, “it may be within the rules
for a father to insult a vaporing son. In life, such possibilities do
not exist.”
Ridicule! Edward could fight against any weapon but this. “You treat me
like a child,” he said in plaintive impotence.
Public-domain text, read in full here on John Shaqi.
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