English fiction -- 20th century; Lancashire (England) -- Fiction
CHAPTER XI--THE HATE OF THE HEPPLESTALLS
PHOEBE made all reasonable, and a few indulgent, allowances for the
weaknesses of manflesh, but when she awoke to the knowledge that
John had not been home all night, she was downright angry with him. A
bereaved husband might accept the consolation offered by his friends on
the day of his wife’s funeral, and might go on accepting it late into
the night. She had left the door on the latch for him with the thought
that it wasn’t like John to drown his sorrow, but men were men, even the
best of them, and she had put a lot of housework behind her that day. He
would have been constantly getting in her way with his clumsy efforts to
help, and if he had found forgetfulness, no matter how, they had both of
them come through the day very well.
But he had not come home at all; he had forgotten too thoroughly, and
Phoebe intended to give him “the rough side of her tongue” the moment
she came across him in the factory. It never occurred to her that he
would not be in the factory. To be out all night was a departure from
his custom, and on such a night a departure from decency, but to be
absent from work was more than either of these; it was defiance of
necessity, a treachery to her and to his children and she knew her
John better than to suspect him of conduct like that. He might be
grief-stricken and, after that (homeopathically), ale-stricken, but the
law of nature was “Work or Clem,” and John would be at work.
He was not at work, and that was not the only thing to be remarked that
morning. Nobody appeared to have a word for her, though there was an
exceptional disposition to gossip. Even the overseers had caught the
infection and formed gossiping groups to the detriment of discipline.
She was too preoccupied at first to notice that she was their cynosure
or to wonder what it meant, but she couldn’t for long be unconscious of
their gaze.
They were looking at her, every one was looking at her, and her first
impulse was to be angry with them for staring so curiously and her
second was to conceal her awareness of their gaze. They stared? Let them
stare. She had not been at the factory on the previous day, but she had
had leave of absence. She had been burying her daughter-in-law, and if
they wanted to stare at her for that, they could stare. And then she
connected their fixed regard with John’s absence. There was something
serious then? Something about John of which they knew and she did not?
She dropped abruptly her pretense of unconsciousness.
“For God’s sake tell me what’s to do,” she cried. “If it’s John, I’m his
mother and I’ve the right to know.”
Will Aspinall, the overseer, detached himself from his group. “Get
at work,” he bawled at large, then with a rare gentleness, led Phoebe
aside. “Either tha’s gotten th’ brassiest faice i’ Lankysheer, or else
tha’ doan’t kna’,” he said.
“Is it to do with John?” she asked.
“Aye,” he said, “it’s all to do wi’ thy John.”
Public-domain text, read in full here on John Shaqi.
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