Anglo-Indians -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction; Young women -- Fiction
"The police officer, a nephew of Mrs. Lepell's; he lives in
cantonments. He is so strict and severe. Oh, mother does hate him--I
believe she is afraid of him!"
"How can he possibly affect mother?" inquired Verona, as she sorted out
some gloves.
"Of course, not at all, but he gives you the horrid notion that he can
read your thoughts, and knows every single little thing about you.
Whenever he looks at me, I can't help wriggling like an insect on a
pin, and mother declares that he has the evil eye!"
"The evil eye!" repeated Verona; "you don't really believe in such
nonsense?"
"Well, perhaps not. Salwey's eyes are bluey-grey, like steel. He is not
bad looking, and once--now I'll tell you a secret----"
"No, don't! Please!" protested Verona, throwing up her hands.
"Oh, but I must; I do like talking secrets," pursued Pussy with
breathless volubility, "I think Dominga used to be crazy about him, and
sent him notes by Nicky."
"What!"
"Yes; but I don't believe he ever gave them. Salwey and Nicky are
great friends. He lives near the river and has a boat, and comes up
to the Lepells that way when he is in the station. He gave Nicky a
pup, and books and advice, and taught him to row. We have a boat, too.
Nicky's awfully fond of Salwey, he just worships him; but he can't bear
Dominga, and I don't believe he ever gave the letters. You must know
that in this house there are two factions: it is Dom and mother against
Nick and me. Oh! oh! oh!" suddenly sitting erect, "you are getting out
your dresses! how lovelee!" as Verona unfolded and displayed a white
crêpe de chine, a green foulard and an exquisite white and silver ball
dress.
Pussy clapped her hands excitedly, and screaming, "Oh, I must call the
others," leapt off the bed and ran shoeless out of the room.
Verona was a girl who wore her clothes well in every respect; not
only had she the knack of investing them with her own grace and
individuality, but they still seemed dainty and fresh long after they
had passed their first bloom. There were no tea or coffee stains on
the front breadth (that every-day misfortune), frayed seams or ragged
edges in the gowns she was taking from her boxes or ranging round the
room for the promised exhibition. Here were tailor costumes, evening
dresses, muslins, laces and many dainty frocks which had been worn at
Homburg, Aix and Cannes, and some had cost what is figuratively termed
"a small fortune."
Public-domain text, read in full here on John Shaqi.
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