Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
Of the various forms of flag that were in use in the day of
the tournament and even survived, at funeral ceremonies, until
comparatively modern times, the principal were the Banner, the Pennon
and the Standard. The Banner, sometimes called the Great Banner, was
square in shape and bore the arms of its lord exactly as they were
borne on his shield, i.e., occupying the whole surface. Its use was
confined to such knights as were especially privileged, and who were
therefore called Knights Bannerets, and to nobles of higher rank.
Although the banner as such bore the whole arms of the shield, other
large and square flags, even when charged with badges, were sometimes
called by the same name when employed for a special purpose, as, for
instance, the banner of the Red Dragon of Cadwallader that was borne at
Bosworth Field.
The Pennon was a long pointed flag, which was borne by a knight and
was charged with his arms or device. The cutting off of the tail of
the pennon, leaving the flag square, conferred on its owner the right
to have a banner thenceforward, which ceremony of creating a Banneret
always took place on the field of battle and under the royal banner
displayed. The Standard, properly so-called, was also a pointed flag,
though banners were sometimes called standards when they were flown
from a mast that was either fixed in the ground or was supported on
a solid platform or wagon. From this comes the inaccurate custom of
describing the Royal Banner as the Royal Standard. The Standard always,
in England, had the national emblem, the Cross of St. George, next the
staff, and the remainder of the flag was of the owner’s colours, and
was charged with his badges and motto (Fig. 230).
[Illustration: FIG. 230.--A Standard. Sixteenth Century.]
The early form of the banner was higher than it was long, that is
to say, the hoist, that part of a flag that is next the staff, was
greater than the fly or the length from the staff to the further edge
of the flag, and that shape continued throughout the Tudor period;
later, however, the form became more square and finally extended in
the other direction until at the present time the Admiralty pattern
is greater in length than in height in the proportion of two to one.
This has, no doubt, been arranged as the best suited to naval use, and
for the Union Flag and for the Ensigns it appears satisfactory, but
when a more armorial sort of flag is in question the naval proportion
becomes more or less objectionable according to the nature of the
bearings. In the Royal Banner, as so proportioned, the difficulty of
designing the rampant lion of the Scottish quarter, so that it may be
well distributed in its space and still vigorous, or of the Irish harp
so that it may properly balance with the other quarterings, is nearly
insuperable.
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