Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
CROSSES.--In a system of heraldry which took its rise from a military
Christianity the cross naturally became a much-employed symbol under
the various forms which the necessities of distinction or decoration
suggested. Although it has been dealt with to some extent under the
head of ordinaries, it is as a charge that it reaches its greatest
variety and beauty. The plain cross with limbs of unequal length, which
is called a passion cross, is sometimes placed upon steps or degrees,
as in Fig. 107, when it may be described as a cross calvary.
Of the more decorative varieties those which terminate in a manner
suggested by the fleur-de-lis are among the most usual and beautiful.
Probably many of them were decorative before they became distinctive,
for among the early sculptures are many examples of decorated crosses
with foliated ends which follow none of the familiar forms and are
obviously purely ornamental.
[Illustration: FIG. 107.--Cross Calvary.]
[Illustration: FIG. 108.--Cross Flory.]
[Illustration: FIG. 109.--Cross Fleuretté.]
[Illustration: FIG. 110.--Cross Patonee.]
[Illustration: FIG. 111.--Cross Moline.]
Crosses in general are drawn with limbs of equal length except where
the shape of a shield suggests the lengthening of the lower limb
in order to satisfactorily place the object in its field, but the
intention is that the limbs are to be considered equal and not like
those of the passion cross. The width of crosses may be considerably
varied, for difference consists not in the proportions of parts to
each other but in essential variations of form. The floriated, or
otherwise varied, cross may therefore be made of any proportion that
the arrangement of the shield may suggest; that is to say, the same
adaptability exists in these crosses as in the ordinaries, and their
proportions may and should be varied in relation to the field they
occupy and the charges with which they are associated. Though the
floriated crosses are all derived from one source, their various
shapes have long become fixed and now constitute heraldic difference.
It will be useful therefore to observe that the end of a cross flory
(Fig. 108) may approach very closely the form of a fleur-de-lis so
long as confusion is not caused with the cross fleuretté (Fig. 109),
in which the fleur-de-lis appears joined to the cross, rather than as
though developed from it. The cross patonee (Fig. 110) differs from the
cross flory merely in that the limbs of the former increase in width
outwards, the lines radiating from the centre in a very pleasant way.
In early shields the two latter forms are used indifferently for each
other, as in the arms ascribed to Edward the Confessor, and in such
cases choice may, of course, be made of one or other form; but it is
obvious that when definite distinction between similar forms has been
arrived at it should be observed and followed in later renderings.
[Illustration: FIG. 112.--Seal of Anthony de Bec, Bishop of Durham,
1283-1311.]
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