Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
At first, comparatively short and resting on the camail which covered
the head, in time it was made longer, until the helm rested on the
shoulders, and being buckled back and front to the body armour became,
as it were, part of it, and besides being a better defence was able
to support the additional pressure of a crest (which though fashioned
of light material was still of considerable weight) with a minimum of
fatigue to its wearer. The crest was attached to the crown plate of the
helm by means of laces, or by small bolts or other fastenings which
passed through holes made for the purpose. It appears improbable that
crests were used to any general extent in actual battle, and for the
best of all practical reasons, that a crest had been found to be a
very dangerous ornament which, at close quarters, served as a handle,
while the laces held, by which to pull down the wearer’s head, and
King Stephen is said to have been among those that suffered in this
way. That they were used in battle to some extent is evident, and
Viollet-le-duc, in referring to the abuse of the Tournament, points out
that the feudal nobility attempted to treat war itself like a grand
tournament and appeared on the field extravagantly arrayed with long
surcoats and lambrequins that encumbered their movements and gave them
an easy prey to simple archers and similar workmanlike troops.
The shape of the helm was naturally susceptible of much variety but
its essential structural character remained the same throughout, and
consisted principally of three parts, the crown plate and two others
for the front and back of the helm respectively. Sight was provided for
in one of two ways, either by leaving an opening between the crown and
front plate or by piercing the latter with horizontal openings which
were strengthened by an additional piece, generally in the form of a
cross, and so splayed as to deflect a point that had struck near the
opening. Both opening and reinforcing piece may be of value in design,
the former from its strong line which must always be reckoned with, and
the latter for the opportunity it affords of introducing decorative
detail where it may be useful. It is interesting to observe that the
back of the helm is of thinner plate than the front, thus dispensing
with weight where it was possible to do so. In the later forms of helm,
which were fastened by straps to the breast and back, the buckle and
the methods of rivetting it to the plates afford other opportunities
for utilizing structural details ornamentally. (Fig. 145.)
[Illustration: FIG. 145.--Fifteenth Century. Tilting Helm.]
The perforations which facilitated breathing were generally on the
right-hand side, and though there were instances of their being on
both sides it was very unusual in view of the fact that the tournament
attack was from the left, and that although the tilting spear had a
coronal instead of a point, care would still be taken to give as little
hold as possible to the weapon.
Public-domain text, read in full here on John Shaqi.
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