Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
modification of tone still remains available.
It is sometimes held that arms that were granted at the time when red
and white mantlings were usual, and were mentioned in the blazon of the
Grant, should now and henceforth be so accompanied, and this would seem
to be a case when choice of method would be legitimate. The description
in the blazon, usually so binding, is here of little force, for it was
in such cases a mere routine phrase which conveyed no distinction of
one case from another, and the change of official custom may be taken
to have superseded the former rule. Certainly it is not permissible
nowadays to colour the mantling without reference to the arms or
without warrant from properly transmitted custom.
CHAPTER VII
Armorial Accessories
The armorial shield, and, in a rather less degree, the crest, are in
an especial sense essential parts of an heraldic achievement, and have
always been considered fully representative of their bearers. Therefore
they may be used together, or singly, without the supporters or other
accessories to which their owner may be entitled. On the other hand,
supporters, though they may be employed without the arms to support
badges or monograms, have, in that case, little more than the force of
fanciful devices.
[Illustration: FIG. 158.--Seal of John de Segrave (_c._ 1300).]
[Illustration: FIG. 159.--Seal of Anne Countess of Devon.]
[Illustration: FIG. 160.--Seal of Ralph Neville, Earl of Westmoreland.]
Supporters were in their origin badges which had acquired permanence by
custom in the same way that the arms of the shield had acquired it at
an earlier time. Thus, in addition to the regular armorials which so
profusely adorned the Seals, certain badges were freely used which from
association acquired in many cases a permanence by frequent recurrence
equal to that of the arms with which they were associated. In this way
lions appear in many of the Great Seals, notably in those of Edward
III and in the beautiful seal of Henry IV. Such emblems were placed
decoratively in any spaces that were suitable, and in the simpler
seals the intervals between the circumscription and the more or less
triangular shield within it invited their display, as in Fig. 158, the
seal of John de Segrave (c. 1300), which has a garb on either side of
the shield. In Fig. 159, the seal of Anne Countess of Devon, lions
occupy similar spaces, but with their backs to the shields. The seal
of Ralph Neville, Earl of Westmoreland, Fig. 160, shows greyhounds,
which, though of subordinate proportion, have assumed the regular
pose of supporters; while in the splendid seal of Edmond Beaufort,
Duke of Somerset, Fig. 161, the finely designed supporting figures
have complete heraldic force. Another fine example is that of William
Lord Hastings, Fig. 162. The connexion between ancient Badges and the
Supporters in present use is easily traced, and, as one instance of
many, it will suffice to mention the white lion Badge of Mowbray, which
Public-domain text, read in full here on John Shaqi.
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