Heraldry as art: An account of its development and practice, chiefly in EnglandEve, G. W. (George William)
History
Heraldry as art: An account of its development and practice, chiefly in England
Eve, G. W. (George William)
Heraldry -- Great Britain
Taking the Order of the Bath as typical, the lowest rank, that of
Companion (C.B.), is shown by suspending the badge below the shield.
The next grade, Knight Commander (K.C.B.), in addition to the suspended
badge, encircles the shield with the motto of the order. And finally,
a Knight Grand Cross (G.C.B.) adds to the preceding the collar of the
order round his arms, outside the motto circle. It must be noted that
the order has two divisions, civil and military, whose badges differ.
The rest of their insignia is identical, except that a wreath of laurel
accompanies the motto circle of the Military Division.
CHAPTER VIII
Methods and Materials
The methods of painting heraldry have changed very little from those
that were employed in the early MSS. In the unfinished Bible at
Winchester Cathedral, of which the illuminations are in every stage of
progress from the sketch to the finished work, the sequence is clearly
shown. First, the design lightly sketched in with fine charcoal or a
leaden stylus, then carefully gone over with a black line. The gold
masses put in and burnished and then the colour. Shading and correction
of the outline followed, and finally the high lights put a finish to
the work.
Vellum, a fine parchment made of calf skin, is the most suitable
surface for heraldic painting in water-colour, although paper,
which includes various “boards,” is useful for students’ work and
for preliminary drawings. The colours bear up, and gold acquires an
appearance of solidity on vellum which cannot be obtained on paper.
No doubt the surface is somewhat difficult to deal with at first and
painting on it has a technique of its own, but there is nothing that
cannot be overcome if it is approached in a practical way. The colour
of vellum varies from a yellowish white to darkish ivory colour, a
variety that is due to the natural colour of the skin. It can also be
obtained in positive colours, the kind that is used in book-binding. It
is somewhat thickly coated on one side with a chalky preparation, and
if this side, the front, is used it requires delicate handling, for it
is easily injured by the scraping that may be necessary for erasure,
so that a rough spot of skin appears through the preparation and the
surface can only be restored with great difficulty. Unless, therefore,
it is necessary to use both sides as for a leaf of a book, the back of
the skin will be found preferable. It is a little darker in tone and
not quite so smooth, is tolerably hard and bears erasure well, but the
knife requires deft handling, and then small corrections can be made
with it successfully, for colours do not penetrate vellum very far,
though when properly prepared they adhere to the surface with ample
tenacity. It will be found very desirable to keep vellum clean rather
than to trust to subsequent cleaning.
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