Currants are not mentioned in former Greek or Roman literature, nor do they seem to have been cultivated by the Anglo-Saxons, or the Normans. Our several sorts [138] of Currants afford a striking illustration of the mode which their parent bushes have learnt to adopt so as to attract by their highly coloured fruits the birds which shall disperse their seeds. These colours are not developed until the seed is ripe for germination; because if birds devoured them prematurely the seed would fall inert. But simultaneously come the ripeness and the soft sweet pulp, and the rich colouring, so that the birds may be attracted to eat the fruit, and spread the seed in their droppings. Zeuxis, a famous Sicilian painter four hundred years before Christ, depicted currants and grapes with such fidelity that birds came and tried to peck them out from his canvas. White Currants are the most simple in kind; and the Red are a step in advance. If equal parts of either fruit and of sugar are put over the fire, the liquid which separates spontaneously will make a very agreeable jelly because of the "pectin" with which it is chemically furnished. Nitric acid will convert this pectin into oxalic acid, or salts of sorrel. The juice of Red Currants also contains malic and citric acids, which are cooling and wholesome. In the Northern counties this red Currant is called Wineberry, or Garnetberry, from its rich ruddy colour, and transparency. Its sweetened juice is a favourable drink in Paris, being preferred there to the syrup of _orgeat _(almonds). When made into a jelly with sugar the juice of red Currants is excellent in fevers, and acts as an anti-putrescent; as likewise if taken at table with venison, or hare, or other "high" meats. This fruit especially suits persons of sanguine temperament. Both red and white Currants are without doubt trustworthy remedies in most forms of obstinate visceral obstruction, and they correct impurities of the blood, being certainly antiseptic.