American fiction -- 20th century; Short stories, American
Professor Hibbart was in truth a man of passionately excitable nature:
no one was ever, by temperament, less adapted to the lofty intellectual
labours in which his mind delighted. He asked only to live in the
empyrean; but he was perpetually being dragged back to earth by the
pity, wrath or contempt excited in him by the slipshod course of human
affairs. There were only two objects on which he flattered himself he
could always look with a perfectly unseeing eye; and these were a
romantic landscape and a pretty woman. And he was not absolutely sure
about the landscape.
Suddenly a touch, soft yet peremptory, was laid on his arm. Looking
down, he beheld a gloved hand; looking up he saw that the man opposite
him was a woman.
To this awkward discovery he was still prepared to oppose the blank wall
of the most complete imperception. But a sharp pinch proved that the
lady who had taken hold of his arm had done so with the fixed
determination to attract his attention, at the cost of whatever pain or
inconvenience to himself. As she appeared also to be saying
something—probably asking if the next station were the one at which she
ought to get out—he formed with soundless lips the word “Deaf,” and
pointed to his ears. The lady’s reply was to release his wrist, and with
her free hand flick off an ear-pad.
“Deaf? Oh, no,” she said briskly, in fluent but exotic English. “You
wouldn’t need ear-pads if you were. You don’t want to be bothered—that’s
all. I know the trick; you got it out of Herbert Spencer!”
The assault had nearly disabled the Professor for farther resistance;
but he rallied his wits and answered stonily: “I have no time-table.
You’d better consult the guard.”
The lady threw her spent cigarette out of the window. As the smoke
drifted away from her features he became uneasily aware that they were
youthful, and that the muscles about her lips and eyes were contracted
into what is currently known as a smile. In another moment, he realized
with dismay, he was going to know what she looked like. He averted his
eyes.
“I don’t want to consult the guard—I want to consult _you_,” said the
lady.
His ears took reluctant note of an intonation at once gay and appealing,
which caressed the “You” as if it were a new pronoun rich in vowels, and
the only one of its kind in the world.
“Eeee-you,” she repeated.
He shook his averted head. “I don’t know the name of a single station on
this line.”
“Dear me, don’t you?” The idea seemed to shock her, to make a peculiar
appeal to her sympathy. “But I do—every one of them! With my eyes shut.
Listen: I’ll begin at the beginning. Paris—”
“But I don’t _want_ to know them!” he almost screamed.
“Well, neither do I. What I want is to ask you a favour—just one tiny
little enormous favour.”
The Professor still looked away. “I have been in very bad health until
recently,” he volunteered.
Public-domain text, read in full here on John Shaqi.
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