Here and There in LondonRitchie, J. Ewing (James Ewing)
General
Here and There in London
Ritchie, J. Ewing (James Ewing)
London (England) -- Description and travel
Let us go down stairs, along that long passage through which eager
students are hurrying. The door opens, and we find ourselves in a
theatre, as full as it can possibly be of the future surgeons of England,
now very rough and noisy. At the bottom, far beneath us, is a small
space with a long narrow table, covered with oilskin; behind the table is
a door. That door opens, and one or two of the _élite_ of the students
known as dressers enter. A matronly female, dressed in the hospital
garb, follows; some stout porters bring in a poor creature gently, and
place him on the table, and a few professors and professional assistants
fill up the group; the noisy students are still and eager. The professor
advances to the table, in a few words explains the nature of the malady,
and the patient, more dead than alive, endeavours to nerve himself for
his impending fate. It is our old friend; his leg is smashed and
requires amputation. An assistant administers chloroform, while the
operator looks on, watch in hand. In a few seconds it is clear the
patient is insensible, and the knife is handed to the operator, who, with
his arm bare, and his sleeves tucked up, commences his painful task. Up
squirts the red blood, and many a pale face and averted eye around
testify how painful the exhibition is to those who are not accustomed to
it. Happily, the medical men near have the calm composure and readiness
of resource true science suggests. The first incision made, and the skin
peeled around, an assistant hands a saw, and in the twinkling of an eye
the limb is severed, and the stump, bleeding and smoking, is being sewn
up by skilful hands almost before the poor fellow wakes up, wearied and
exhausted by loss of blood, from what must have been to him, if we may
judge by his moans and exclamations, a terrible dream. As soon as
possible he is borne away, the blood is sponged up, the table wiped down;
and another patient, it may be a pale-faced girl or a little boy
suffering from some fatal malformation, succeeds. All that humanity can
suggest is resorted to. Here science loses her stern aspects, and beats
with a woman’s tenderness and love; and not in vain, for from that table
rise, who otherwise would have painfully perished, many to bless their
families, it may be the world. But all is over, and we follow the crowd
out, avoiding that other passage leading to the dissecting-room, where on
many a table lie the mangled forms of what were once men and women, in
all stages of dissection and decay, with students hard at work on them,
painfully gathering or seeking to gather a clue to the mystery of
mysteries we call life. Possibly by the fire-place some half-dozen young
fellows will be smoking and drinking beer. But why note the contrast?
Out of the dissecting-room, beyond the narrow precincts of the hospital,
masked in gay clothes, with faces all red with paint and wrinkled with
idiotic leer, stand side by side the living and the dead.
Public-domain text, read in full here on John Shaqi.
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