England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction
The family circle was again complete in the vicarage, and in the
evenings a part of the family always gathered in the sickroom. This was
hailed as a great privilege by the younger members--Roy, Polly, and
Chriss eagerly disputing it. It was an understood thing that Richard
should be always there; Olive seemed restless without him. Roy was her
next favourite; his gentleness and affection seemed to soothe her; but
Mildred noticed that Polly's bright flow of spirits somewhat oppressed
her, and it was not easy to check Chriss's voluble tongue.
One evening Ethel was admitted. She had pleaded so hard that Richard had
at last overcome Olive's shrinking reluctance to face any one outside
the family circle; but even Olive's timidity was not proof against
Ethel's endearing ways; and as Miss Trelawny, shocked and distressed at
her changed appearance, folded the girl silently in her arms, the tears
gathered to her eyes, and for a moment she seemed unable to speak.
'You must not be so sorry,' whispered Olive, gratefully; 'Aunt Milly
will soon nurse me quite well.'
'But I was not prepared for such a change,' stammered Ethel. 'Dear
Olive, to think how you must have suffered! I should hardly have known
you; and yet,' she continued, impulsively, 'I never liked the look of
you so well.'
'We tell her she has grown,' observed Richard, cheerfully; 'she has only
to get fat to make a fine woman. Aunt Milly has contrived such a
bewitching head-dress that we do not regret the loss of all that
beautiful hair.'
'Oh, Cardie, as though that mattered;' but Olive blushed under her
brother's affectionate scrutiny. Ethel Trelawny was right when she owned
Olive's appearance had never pleased her more, emaciated and changed as
she was. The sad gentleness of the dark, unsmiling eyes was infinitely
attractive. The heavy sallowness was gone; the thin white face looked
fair and transparent; little rings of dark hair peeped under the lace
cap; but what struck Ethel most was the rapt and elevated expression of
the girl's face--a little dreamy, perhaps, but suggestive of another and
nobler Olive.
'Oh, Olive, how strange it seems, to think you have come back to us
again, when Mildred thought you had gone!' ejaculated Ethel, in a tone
almost of awe.
'Yes,' returned Olive, simply; 'I know what death means now. When I come
to die, I shall feel I know it all before.'
'But you did not die, dear Olive!' exclaimed Ethel, in a startled voice.
'No one can know but Lazarus and the widow's son; and they have told us
nothing.'
'Aunt Milly says they were not allowed to tell; she thinks there is
something awful in their silence; but all the same I shall always feel
that I know what dying means.'
Ethel looked at her with a new reverence in her eyes. Was this the
stammering, awkward Olive?
'Tell me what you mean,' she whispered gently; 'I cannot understand. One
must die before one can solve the mystery.'
Public-domain text, read in full here on John Shaqi.
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