England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction
'Nothing is right without Aunt Milly!' cried Polly, with a squeeze; and
Roy chimed in, indignantly, 'Of course not; as though we could do
without Aunt Milly!'
The new curate was discussed the first evening. Mr. Lambert and Richard
were loud in their praises; and though Chriss muttered to herself in a
surly undertone, nobody minded her.
His introduction to Olive happened after a somewhat amusing fashion.
He was crossing the hall the next day, on his way to the vicar's study,
when Roy bade him go into the drawing-room and make acquaintance with
Aunt Milly.
It happened that Mildred had just left the room, and Olive was sitting
alone, working.
She looked up a little surprised at the tall, broad-shouldered young man
who was making his way across the room.
'Royal told me I should find you here, Miss Lambert. I hope your niece
has recovered the fatigue of her journey.'
'I am not Aunt Milly; I am Olive,' returned the girl, gravely, but not
refusing the proffered hand. 'You are my father's new curate, Mr.
Marsden, I suppose?'
'Yes; I beg your pardon, I have made a foolish mistake I see,' returned
the young man, confusedly, stammering and flushing over his words.
'Royal sent me in to find his aunt, and--and--I did not notice.'
'What does it matter?' returned Olive, simply. The curate's evident
nervousness made her anxious to set him at his ease. 'You could not
know; and Aunt Milly looks so young, and my illness has changed me. It
was such a natural mistake, you see,' with the soft seriousness with
which Olive always spoke now.
'Thank you; yes, of course,' stammered Hugh, twirling his felt hat
through his fingers, and looking down at her with a sort of puzzled
wonder. The grave young face under the quaint head-dress, the soft dark
hair just parted on the forehead, the large earnest eyes, candid, and
yet unsmiling, filled him with a sort of awe and reverence.
'You have been very ill,' he said at last, with a pitying chord in his
voice. 'People do not look like that who have not suffered. You remind
me,' he continued, sitting down beside her, and speaking a little
huskily, 'of a sister whom I lost not so very long ago.'
Olive looked up with a sudden gleam in her eyes.
'Did she die?'
'Yes. You are more fortunate, Miss Lambert; you were permitted to get
well.'
'You are a clergyman, and you say that,' she returned, a little
breathlessly. 'If it were not wrong I should envy your sister, who
finished her work so young.'
'Hush, Miss Lambert, that is wrong,' replied Hugh. His brief nervousness
had vanished; he was quite grave now; his round, boyish face, ruddy and
brown with exercise, paled a little with his earnestness and the memory
of a past pain.
'Caroline wanted to live, and you want to die,' he said, in a voice full
of rebuke. 'She cried because she was young, and did not wish to leave
us, and because she feared death; and you are sorry to live.'
Public-domain text, read in full here on John Shaqi.
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