England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction
'There is no trouble unendurable but sin,' she had said to herself. Oh,
that other poor sufferers--sufferers in heart, in this world's good
things--would lay this truth to their souls! It would rob sorrow of its
sting, it would lift the deadly mists from the charnel-house itself. For
to the Mildreds of life religion is no Sunday garb, to be laid aside
when the week-day burdens press heaviest; no garbled mixture of
sentiment and symbolic rites, of lip-worship and heart freedom,
tolerated by 'the civilised heathenism' of the present day, for in their
heart they know that to the Christian, suffering is a privilege, not a
punishment; that from the days of Calvary 'Take up thy cross and follow
Me' is the literal command literally obeyed by the true followers of the
great Master of suffering.
Mildred was resolved to tolerate no weakness; she dressed herself
quickly, and was down at the usual time. 'How old and faded I look,' she
thought, as she caught the reflection of herself in the glass.
Her changed looks would excite comment, she knew, and she braced herself
to meet it with tolerable equanimity; a sleepless night could be pleaded
as an excuse for heavy eyes and swollen eyelids. Polly indeed seemed
disposed to renew her soft manipulations and girlish officiousness, but
Mildred contrived to put them aside. 'She was going down to the schools,
and after that there were the old women at the workhouse and at Nateby,'
she said, with the quiet firmness which always made Aunt Milly's decrees
unalterable. 'Her girls must take care of themselves until she
returned.'
'Charity begins at home, Aunt Milly. I am sure Olive and I are worth a
score of old women,' grumbled Polly, who in season and out of season was
given to clatter after Mildred in her little high-heeled shoes.
Dr. Heriot's ward was becoming a decidedly fashionable young lady; the
pretty feet were set off by silver buckles, Polly's heels tapped the
floor endlessly as she tripped hither and thither; Polly's long skirts,
always crisp and rustling, her fresh dainty muslins, her toy aprons and
shining ribbons, were the themes of much harmless criticism; the little
hands were always faultlessly gloved; London-marked boxes came to her
perpetually, with Roy's saucy compliments; wonderful ruby and
cream-coloured ribbons were purchased with the young artist's scanty
savings. Nor was Dr. Heriot less mindful of the innocent vanity that
somehow added to Polly's piquancy. The little watch that ticked at her
waist, the gold chain and locket, the girlish ring with its turquoise
heart, were all the gifts of the kind guardian and friend.
Public-domain text, read in full here on John Shaqi.
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