England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction
'Do you think I might go with you, Cardie?' for Mildred was secretly
yearning to comfort her boy, but Richard instantly put a veto on her
proposal.
'It would not be safe, Aunt Milly; it will excite less questioning if I
go alone; you must be content to trust him to me. I will bring you a
faithful report to-morrow evening;' and as Mildred saw the wisdom of the
reasoning she resolved to abide by it.
But she passed a miserable night. Roy's haggard face and fierce reckless
speeches haunted her. She dreaded to think of the time when Richard
would be obliged to return to Oxford, and leave Roy to battle alone with
his misery. She wondered what Richard would think if she were to propose
going up to him for a month or two; she was becoming conscious herself
of a need of change,--a growing irritability of the nerves chafed her
calm spirit, daily suffering and suppression were wearing the brave
heart sadly. Mildred, who ailed nothing ordinarily, had secret attacks
of palpitation and faintness, which would have caused alarm if any one
had guessed it, but she kept her own counsel.
Once, indeed, Dr. Heriot had questioned her. 'You do not look as well as
you used, Miss Lambert; but I suppose I am not to be consulted?' and
Mildred had shaken her head laughingly. But here was work for the
ministering woman--to forget her own strange sorrow in caring for
another;--Roy needed her more than any one; Olive could be safely left
in charge of the others. Mildred fell asleep at last planning long
winter evenings in the young artist's studio.
The next day seemed more than usually long. Polly, who looked as though
she had not slept all night, spent her time in listlessly wandering
about the house and garden, much to Olive's mild wonder.
'I do wish you would get something to do, Polly,' she said more than
once, looking up from her writing-table at the sound of the tapping
heels; 'you have not practised those pieces Dr. John ordered from
London.'
'Olive is right; you should try and occupy yourself, my dear,' observed
Mildred, looking up from her marking; piles of socks lay neatly beside
her, Mr. Lambert's half-stitched wrist-band was in her lap. She looked
with soft reproving eyes at poor restless Polly, her heart all the time
very full of pity.
'How can you ask me to play?' returned Polly, in a resentful tone. 'Play
when Roy was ill or in some dreadful trouble--was that their love for
him? When Mildred next looked up the girl was no longer standing
watching her with sad eyes; across the beck, through the trees, she
could see the shimmer of a blue dress; a forlorn young figure strolled
aimlessly down the field path and paused by the weir. Of what was she
thinking? Were her thoughts at all near the truth--'Don't forget me;
think of your old friend Roy!'--were those words, said in the saddest
voice she had ever heard, still ringing in her ears.
Public-domain text, read in full here on John Shaqi.
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