Later on in the afternoon Mildred set out for a quiet walk to the cemetery. Polly and Chriss were sunning themselves on the terrace, while Roy was stretched in sleepy enjoyment on the grass at their feet, with his straw hat pulled over his face. Richard had walked up to Kirkleatham on business for his father. No one knew exactly what had become of Olive. 'She will turn up at tea-time, she always does,' suggested Roy, in a tone of dreamy indifference. 'Go on, Polly, you have a sweet little voice for reading as well as singing. We are reading Milton, Aunt Milly, only Polly sometimes stops to spell the long words, which somehow breaks the Miltonic wave of harmony. Can't you fancy I am Adam, and you are Eve, Polly, and this is a little bit of Paradise--just that delicious dip of green, with the trees and the water; and the milky mother of the herd coming down to the river to drink; and the rich golden streak of light behind Mallerstang? If it were not Sunday now,' and Roy's fingers grasped an imaginary brush. 'Roy and Polly seem to live in a Paradise of their own,' thought Mildred, as she passed through the quiet streets. 'They have only known each other for two days, and yet they are always together and share a community of interest--they are both such bright, clever, affectionate creatures. I wonder where Olive is, and whether she even knows what a real idle hour of _dolce far niente_ means. That girl must be taught positively how to enjoy;' and Mildred pushed the heavy swinging cemetery gates with a sigh, as she thought how joyless and weary seemed Olive's life compared to that of the bright happy creature they had laid there. Betha's nature was of the heartsease type; it seemed strange that the mother had transmitted none of her sweet sunshiny happiness to her young daughter; but here Mildred paused in her wonderings with a sudden start. She was not alone as she supposed. She had reached a shady corner behind the chapel, where there was a little plot of grass and an acacia tree; and against the marble cross under which Betha Lambert's name was written there sat, or rather leant--for the attitude was forlorn even in its restfulness--a drooping, black figure easily recognised as Olive. 'This is where she comes on Sunday afternoons; she keeps it a secret from the others; none of them have discovered it,' thought Mildred, grieved at having disturbed the girl's sacred privacy, and she was quietly retracing her steps, when Olive suddenly raised her head from the book she was reading. As their eyes met, there was a start and a sudden rush of sensitive colour to the girl's face. 'I did not know; I am so sorry to disturb you, my love,' began Mildred, apologetically. 'It does not disturb me--at least, not much,' was the truthful answer. 'I don't like the others to know I come here--because--oh, I have reasons--but this is your first visit, Aunt Milly,' divining Mildred's sympathy by some unerring instinct.