England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction
'Yes, and this shower will do all the good in the world, lay the dust,
and render your long drive enjoyable. Ah! Miss Lambert, you have found
out why Olive honours me by so many visits,' as Mildred glanced round
the large handsome hall, fitted up by glass bookcases; and with its
carpeted floor and round table, and brackets of blue dragon china
looking thoroughly comfortable.
'This is my dining-room and consulting-room; my surgery is elsewhere,'
continued Dr. Heriot. 'My drawing-room is so little used, that I am
afraid Marjory often forgets to draw up the blinds.' And he showed
Mildred the low-ceiled pleasant rooms, well-furnished, and tastefully
arranged; but the drawing-room having the bare disused air of a room
that a woman's footstep seldom enters. Mildred longed to droop the
curtain into less stiff folds, and to fill the empty vases with flowers.
Polly spoke out her thought immediately afterwards.
'I mean to come in every morning on my way to school, and pull up the
blinds, and fill that china bowl with roses. Marjory won't mind anything
I do.'
'Your labour will be wasted, Polly,' returned her guardian, rather
sadly. 'No one but Mrs. Sadler, or Miss Ortolan, or perhaps Mrs.
Northcote, ever sits on that yellow couch. Your roses would waste their
sweetness on the desert air; no one would look at them, or smell them;
but it is a kind thought, little one,' with a gentle, approving smile.
'Which room was the scene of Polly's feast?' asked Mildred, curiously.
'Oh, the den--I mean the room I generally inhabit; it is snug, and opens
into the conservatory; and I have grown to like it somehow. Now, Polly,
you must make us some tea; but the question is, will you favour the
yellow couch and the empty rose-bowls, Miss Lambert, or do you prefer
the dining-room?'
'Dr. Heriot, what do you mean by treating Aunt Milly so stiffly? of
course we shall have tea in the den, as usual.' But he interrupted her
by a brief whisper in her ear, which made her laugh and clap her hands.
Evidently there was some delightful secret between them, for Polly's
eyes sparkled as she stood holding his arm with both hands; and even Dr.
Heriot's twinkled with amusement.
'Miss Lambert, Polly wants to know if you can keep a secret? I don't
think you look dangerous, so you shall be shown the mystery of the den.'
'Does Olive know?' asked Mildred, looking at the girl as she sat
hunching her shoulders, as usual, over a book.
'Yes, but she does not approve. Olive never approves of anything nice,'
returned Polly, saucily. 'Let us go very quietly; he generally whistles
so loudly that he never hears anything;' and as Polly softly opened the
door, very clear, sweet whistling was distinctly audible.
There was a little glass-house beyond the cosy room they were entering;
and there, amongst flowers and canaries, and gaily-striped awning, in
his old blue cricketing coat, was Roy painting.
Public-domain text, read in full here on John Shaqi.
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