England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction
'Wouldn't it make a famous picture?' whispered Roy, eagerly. 'I should
like to paint it, and send it to the Royal Academy--"The Westmorland
Rush-bearing." Doesn't May look a perfect fairy in her white dress, with
her curls falling over her neck? That rogue of a Claude has chosen her
for his partner. There, they are going to have lemonade and cake, and
then they will "trip on the light, fantastic toe," till the church bells
ring;' but Mildred was too much absorbed to answer. The play of light
and shadow, the shifting colours, the children's innocent faces and
joyous laughter, the gaping rustics on the outside of the circle,
charmed and interested her. She was sorry when the picture was broken
up, and Mr. Delaware and the other clergy formed the children into an
orderly procession again.
Mildred and Richard were the last to enter the church, but Miss Trelawny
made room for them beside her. The pretty little church was densely
crowded, and there was quite an inspiring array of clergy and choristers
when the processional hymn was sung. Mr. Delaware gave an appropriate
and very eloquent address, and during a pause in the service the
church-wardens collected the garlands from the children, which were
placed by the officiating priest and the assistant clergy on the
altar-steps, or on the sloping sills of the chancel windows, or even on
the floor of the sanctuary itself, the sunshine lighting up with vivid
hues the many-coloured crowns.
These were left until the following day, when they were placed on a
frame made for the purpose at the other end of the church, and there
they hung until the next rush-bearing day; the brown drooping leaves and
faded flowers bearing solemn witness of the mutability and decay of all
earthly things.
But as Mildred looked at the altar-steps, crowded with the fragrant and
innocent offerings of the children, so solemnly blessed and accepted,
and heard the fresh young voices lifted up in the crowning hymn of
praise, there came to her remembrance some lines she had heard sung in
an old city church, when the broidered bags, full of rich offerings, had
been laid on the altar:--
'Holy offerings rich and rare,
Offerings of praise and prayer,
Purer life and purpose high,
Clasped hands and lifted eye,
Lowly acts of adoration
To the God of our salvation.
On His altar laid we leave them,
Christ present them! God receive them!'
CHAPTER XI
AN AFTERNOON IN CASTLESTEADS
'The fields were all i' vapour veil'd
Till, while the warm, breet rays assail'd,
Up fled the leet, grey mist.
The flowers expanded one by one,
As fast as the refreshing sun
Their dewy faces kiss'd.
* * * * *
'And pleasure danced i' mony an e'e
An' mony a heart, wi' mirth and glee
Thus flutter'd and excited--
An' this was t' cause, ye'll understand
Some friends a grand picnic had plann'd,
An' they had been invited.'
Public-domain text, read in full here on John Shaqi.
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