Eccentrics and eccentricities -- Fiction; Women -- Fiction
“This, then, was the position at Westmacotts’ while I toiled at Ephesus
and received with such wide-spaced regularity little packets of seed
from Ruth. The situation developed rapidly at a date corresponding to
the time when MacPherson fell ill with cholera. It was then three months
since Westmacott, by going to the attic, had made the first concession
to his creeping cowardice. He was looking ill, Ruth told me; his eyes
were bright, and she thought he slept badly at night. Her questioning
him on this subject precipitated the crisis.
“‘Rawdon, you’re looking feverish.’
“‘Oh, no,’ he said nervously. They were at breakfast.
“‘Ay, dad,’ said the eldest boy, ‘I heard you tossing about last night.’
“Ruth turned on him with that bullying instinct that she could not
control, and asked roughly,—
“‘What do you mean by keeping the children awake?’
“He cowered away, and she went on, her voice rising,—
“‘I won’t have it, do you hear? If you can’t sleep quietly here, you can
go and sleep elsewhere—in the stable, for all I care.’
“He didn’t answer, he only watched her, huddled in his chair—yes,
huddled, that tall, lithe figure—watched her with a sidelong glance of
his almond eyes.
“She went on storming at him; she says she felt like a person speaking
the words dictated to her by somebody else, and indeed you know Ruth
well enough to know that this description doesn’t tally with your
impression of her.
“He was fingering a tea-spoon all the while, now looking down at it, now
stealing that oblique glance at his wife, but never saying a word. She
cried to him,—
“‘Let that spoon alone, can’t you?’ and as she spoke she stretched out
her hand to take it from him. He bent swiftly forward and snapped at her
hand like a hungry wolf.
“The children screamed, and Ruth sprang to her feet. Rawdon was already
on his feet, over in the corner, holding a chair, reversed, in front of
him.
“‘Don’t you come near me,’ he gibbered, ‘don’t you dare to come near me.
You said you nearly stopped me once’—oh little seed sown ten years
ago!—‘but by Hell you shan’t do it again. I’ll kill you first, ay, and
all your children with you, cursed brats! how am I to know they’re
mine?’ and a stream of foul language followed.
“Ruth had recovered herself, she stood on the other side of the room,
with all her frightened children clinging round her.
“‘I think you must be mad, Rawdon,’ she said, as coldly as she could.
“‘And if I am,’ he cried, ‘who’s driven me to it? Isn’t it you? making
my life a hell, spying on me, chasing me even to my bed at night, ready
to pounce on me the moment you get a chance? Oh, you hate me, I know;
it’s that other man you want, you’ve had your fill of me. Oh, you false,
lying vixen, you’re just waiting till you can get me—catch me asleep,
likely; what was you doing in my room that night? The woman who can
shoot at a man once can shoot at him twice. Mad, you say I am? No, I’m
not mad, but ’tis not your fault that I wasn’t mad long ago.’
Public-domain text, read in full here on John Shaqi.
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