Eccentrics and eccentricities -- Fiction; Women -- Fiction
Westmacott entered it at the same moment by the swing-gate. His looks
were black as he passed me and strode into the house he had not darkened
since his marriage. I stood out in the garden alone in the dusk. I
looked in through the latticed window of the kitchen, seeing every
detail as the detail of a Dutch picture, lit by the fire; the window was
very largely blocked by the red geraniums, but I could see the deal
table, the swinging lamp, the brass ornaments gleaming by the fireplace,
the pictures on the walls, the thin ribbon of steam coming from the
spout of the singing kettle; I could even see the brown grain in the
wood of which the table-top was made. I saw Ruth standing, and
Westmacott looking at her; then he caught sight of me, and with an angry
gesture dragged the curtain across the window.
I was now shut out from all participation in this act of the drama, but
I did not care; I felt that what must be, must be, that the inevitable
was right, and, above all, ordained. Come what might, no human agency
could interfere. I smiled to myself as I thought of Malory’s triumph
could he behold my resignation, and as I smiled I felt Malory’s presence
in the garden, waiting like me, and, like me, entirely passive. I saw
his face; his iron gray hair where it grew back from his temples; I saw
the tiny hairs in his nostrils, and the minute pores of his skin. My
head was swimming, and the vividness of my perception stabbed me.
Then a little scent floated out to me, and I wondered vaguely what it
was, and what were the memories it awakened, and in some dim, extremely
complicated way I knew those memories were awakened by a mental rather
than a physical process, and that they were, at best, only second-hand.
A narrow street, yoked bullocks, and the clamour of a Latin city....
These meaningless and irrelevant words shaped themselves out of the mist
of my sensitiveness. I linked them and the picture they created to the
violence of feeling within the little room behind the drawn curtain, and
as I did so they fell away together from the twilit English garden, the
English country; fell away to their own place, as a thing apart; or
shall I say, they stood behind the English country as a ghostly stranger
behind a familiar form? This was the ghost of which Malory had always
been conscious. Then I knew that my troubled perplexity was but the echo
of Malory’s first perplexity, and I narrowed it down with an effort of
will to the scent of roasting chestnuts. The ancient woman in her
bedroom was at her usual occupation.
Public-domain text, read in full here on John Shaqi.
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