“What would you have me do with it? Put it in a book and inflict it on
the world?”
“Yes. Give yourself some definite object in life. I have no respect for
people who just drift along—who have no ambition nor aim.”
“Well, I will tell you something if you will promise not to betray me,”
he said, quickly: “I am writing a book.”
“No?” exclaimed Hermia. “Actually? Tell me about it. Is it a novel? a
book of travels?”
“Neither. It is a series of lives of certain knights of Norman days
about whom there are countless fragmentary legends, but nothing has ever
been written. I am making a humble endeavor to reproduce these legends
in the style and vernacular of the day and in blank verse. Imagine a
band of old knights, broken-down warriors, hunted to the death, and
hiding in a ruined castle. To while away the time they relate their
youthful deeds of love and war. Do you like the idea?”
Hermia leaned forward with her eyes expanded to twice their natural
size. “Do you mean to tell me,” she said, “that you care for the
past—that its romance appeals to you?”
Quintard threw himself back in his chair and raised his eyebrows a
little. “I have gone so far, I may as well confess the whole thing,” he
said. “I would have lived in the feudal ages if I could. Love and war!
That is all man was made for. Everything he has acquired since is
artificial and in the way. He has lost the faculty of enjoying life
since he has imagined he must have so much to enjoy it with. Let a man
live for two passions, and he is happy. Let him have twenty ways of
amusing himself, and he lowers his capacity for enjoying any one in the
endeavor to patronize them all.”
Hermia remembered her experience with Cryder. He had talked very
beautifully of the past—once. Life was making her skeptical. “Have you
written any of your book?” she asked.
“Yes, it is nearly done.”
“Would you let me see it? Or is that asking too much? But—that period
of history particularly interests me. I used to live in it.”
“Did you? I should be very glad to have you read my effusions; but
wading through manuscript is a frightful bore.”
“I have waded through a good deal,” said Hermia, briefly. “Bring it
to-morrow night. No,”—she had suddenly recollected that the next was
Cryder’s evening. “Bring it the next night—no—the next. Will that do?”
“Yes,” said Quintard. “I will afflict you, with great pleasure, if you
will let me.”
When they went down-stairs, Mrs. Dykman wrapped Hermia’s furs more
closely about her. “I hope, my dear,” she murmured, “you do not mind
that the whole house is talking about you. Do you know that Mr. Quintard
is the only man whom you have condescended to notice during the entire
evening?”
“No?” said Hermia. “I had not thought about it. No, I don’t mind. A
woman is not happy until she is talked about—just a little, you know.
When her position is secure, it makes her so picturesque—quite
individual.”
Public-domain text, read in full here on John Shaqi.
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