Yet the maiden remained as capricious as ever. On Walpurgis-night, when a party of lads and lasses were gathered in the Wampolder Hof, and tales of witches and witchcraft were being told in hushed tones, she conceived a wild scheme to test her lover's affection: she bade him go to the cross-roads at midnight, watch the procession of witches, and return to tell her what he saw. The awed company protested vigorously against the proposed test, but the girl persisted, and at last her lover, seeing that she was already piqued at his refusal, laughingly set out for the bewitched spot, convinced that no harm would befall him. Meantime the company in the manor anxiously awaited his return. One o'clock came, then two--three; still there was no sign of him. Glances of horror and pity were cast at the castellan's daughter, who now wrung her hands in futile grief. At length a few braver spirits volunteered to go in search of their comrade, but no trace of him could they find. His widowed mother, of whom he had been the only son, cursed the maid who was the cause of his ghastly fate, and not long afterward the castellan's daughter lost her reason and died. On Walpurgis-nights she may still be heard in Worms calling for her lost lover, whom she is destined never to find. The fate of the youth remains uncertain. The most popular account is that he was torn limb from limb by the infuriated witches and his remains scattered to the winds. But some, less superstitious than their neighbours, declared that he had been murdered by his rivals, the disappointed suitors, and that his body had been cast into the Rhine--for not long afterward a corpse, which might have been that of the missing youth, was drawn from the river by fishermen. The Nibelungenlied The greatest Rhine story of all is that wondrous German Iliad, the Nibelungenlied, for it is on the banks of the Rhine in the ancient city of Worms that its action for the most part takes place. The earliest actual form of the epic is referred to the first part of the thirteenth century, but it is probable that a Latin original founded on ballads or folk-songs was in use about the middle or latter end of the tenth century. The work, despite many medieval interpolations and the manifest liberties of generations of bards and minnesingers, bears the unmistakable stamp of a great antiquity. A whole literature has grown up around this mighty epic of old Germanic life, and men of vast scholarship and literary acumen have made it a veritable battle-ground of conflicting theories, one contending for its mythical genesis, another proving to his satisfaction that it is founded upon historic fact, whilst others dispute hotly as to its Germanic or Scandinavian origin.