The principle of interference is briefly this: When two waves meet
each other, it may happen that their crests coincide; in this case a
wave will be formed equal in height (amplitude) to the sum of the
heights of the two. At another point the crest of one wave may
coincide with the hollow of another, and, as the waves pass, the
height of the wave at this point will be the difference of the two
heights, and if the waves are equal the point will remain stationary.
If a rope be hung from the ceiling of a lofty room, and the lower end
receive a jerk from the hand, a wave will travel up the rope, be
reflected and reversed at the ceiling, and then descend. If another
wave be then sent up, the two will meet, and their passing can be
observed. It will then be seen that, if the waves are exactly equal,
the point at which they meet will remain at rest during the whole time
of transit. If a number of waves in succession be sent up the string,
the motions of the hand being properly timed, the string will appear
to be divided into a number of vibrating segments separated by
stationary points, or nodes. These nodes are simply the points which
remain at rest on account of the upward series of waves crossing the
series which have been reflected at the top and are travelling
downwards. The division of a vibrating string into nodes thus affords
a simple example of the principle of interference. When a tuning-fork
is vibrating there are certain hyperbolic lines along which the
disturbance caused by one prong is exactly neutralized by that due to
the other prong. If a large tuning-fork be struck and then held near
the ear and slowly turned round, the positions of comparative silence
will be readily perceived. If two notes are being sounded side by
side, one consisting of two hundred vibrations per second and the
other of two hundred and two, then, at any distant point, it is clear
that the two sets of waves will arrive in the same condition, or
"phase," twice in each second, and twice they will be in opposite
conditions, and, if of the same intensity, will exactly destroy one
another's effects, thus producing silence. Hence twice in the second
there will be silence and twice there will be sound, the waves of
which have double the amplitude due to either source, and hence the
sound will have four times the intensity of either note by itself.
Thus there will be two "beats" per second due to interference. Later
on this principle was applied by Young to very many optical phenomena
of which it afforded a complete explanation.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account