being that the colour formed by the admixture of the primary colours
in any proportions, was to be found at the centre of gravity of three
heavy particles placed at the angular points of the triangle, with
their masses proportioned to the corresponding amounts of light. Thus
the colours produced by the admixture of red and green only, in
different proportions, were placed along one side of the triangle,
these colours corresponding to various tints of scarlet, orange,
yellow, and yellowish green; another side contained the mixtures of
green and violet representing the various shades of bluish green and
blue; and the third side comprised the admixtures of red and violet
constituting crimsons and purples. The interior of the triangle
contained the colours corresponding to the mixture of all three
primary sensations, the centre being neutral grey, which is a pure
white faintly illuminated. If white light of a certain degree of
intensity fall on white paper, the paper appears white, but if a
stronger light fall on another portion of the same sheet, that which
is less strongly illuminated appears grey by contrast. Shadows thrown
on white paper may possess any degree of intensity, corresponding to
varying shades of neutral grey, up to absolute blackness, which
corresponds to a total absence of light. Thus considered,
chromatically black and white are the same, differing only in the
amount of light they reflect. A piece of white paper in moonlight is
darker than black cloth in full sunlight.
Public-domain text, read in full here on John Shaqi.
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