It was at first intended to place beside this version the much better known version of the tale given by the Glenn Masain manuscript and its variants; but, as this version is otherwise available in English,[FN#38] it has been thought better to omit most of it: a verse translation of Deirdre's final lament in this version has, however, been added for the purpose of comparing it with the corresponding lament in the Leinster text. These two poems are nearly of the same length, but have no other point in common; the lament in the Leinster version strikes the more personal note, and it has been suggested that it shows internal evidence that it must have been written by a woman. The idea of Deirdre as a seer, which is so prominent in the Glenn Masain version of the tale, does not appear in the older Leinster text; the supernatural Druidic mist, which even in the Glenn Masain version only appears in the late manuscript which continues the story after the fifteenth-century manuscript breaks off, does not appear in the Book of Leinster; and the later version introduces several literary artifices that do not appear in the earlier one. That portion of the Glenn Masain version immediately following after Deirdre's lament is given as an instance of one of these, the common artifice of increase of horror at a catastrophe by the introduction of irrelevant matter, the tragedy of Deirdre's death being immediately followed by a cheerful account of the relationships of the chief heroes of the Heroic Period; a still better example of this practice in the old Irish literature is the almost comic relief that is introduced at the most tragic part of the tale of the murder of the son of Ronan. [FN#38] See Irische Texte, vol. ii., and the Celtic Review, vol. i. 1904-1905. THE EXILE OF THE SONS OF USNACH BOOK OF LEINSTER VERSION In the house of Feidlimid,[FN#39] the son of Dall, even he who was the narrator of stories to Conor the king, the men of Ulster sat at their ale; and before the men, in order to attend upon them, stood the wife of Feidlimid, and she was great with child. Round about the board went drinking-horns, and portions of food; and the revellers shouted in their drunken mirth. And when the men desired to lay themselves down to sleep, the woman also went to her couch; and, as she passed through the midst of the house, the child cried out in her womb, so that its shriek was heard throughout the whole house, and throughout the outer court that lay about it. And upon that shriek, all the men sprang up; and, head closely packed by head, they thronged together in the house, whereupon Sencha, the son of Ailill, rebuked them: "Let none of you stir!" cried he, "and let the woman be brought before us, that we may learn what is the meaning of that cry." Then they brought the woman before them, and thus spoke to her Feidlimid, her spouse: