Heroines of the CrusadesBloss, C. A. (Celestia Angenette)
History
Heroines of the Crusades
Bloss, C. A. (Celestia Angenette)
Crusades; Crusades -- Biography; Women -- Biography
benches to enjoy the intellectual treat, while an imaginary moon broad as
the shield of their Saxon fathers, reflected the light of a supposed
invisible torch placed behind a window shutter. Owing to the imperfection
of the machinery there was some difficulty in raising the curtain, but the
queen was privately informed that the creaking was not intended as part of
the play. The learned and gifted Provençal must be pardoned if she
exchanged some sly criticisms and satirical smiles, with the witty Peyrol,
at the expense of the well-meaning performers.
The scene opened disclosing a barren heath, in the centre of which was a
mound of rubbish, strewed with grass and surmounted with a huge stone,
which had been transplanted with much care and labor, from an adjacent
cromlech. By its side stood a youth, who bashfully hanging his head and
awkwardly twirling a wand, thus unfolded the plan of the drama:--
"Here you see this hill and stone,
For that you may know anon.
The story of the blest St. Dunstan:
For dun is hill, and stone is stane,
That is what this here shall mean.
To the holy Saint was trouble sent,
As we here shall represent--"
When young Harlequin had concluded his prologue, he paused in great
embarrassment staring up at the curtain, till finding that it refused to
fall he stepped to the side of the stage and assisted its descent with all
his strength.
A considerable bustle then ensued behind the scenes, during which the
audience amused themselves as is usual in such cases, by suppressed
titters and whispers.
The reluctant curtain again rose, and instead of the notable hill and
stone, the individual typified thereby, St. Dunstan himself appeared, a
burly Saxon priest wedged into his altar-cave; an appropriate arrangement
admirably adapted to the tradition, since he could neither sit, stand, nor
lie down at ease in it. The holy man was professedly engaged at his
devotions, rattling off credos and ave maries in a style showing a
lamentable want of familiarity with Latin. The arch tempter was a little
behind his time, for the saint had evidently exhausted his stock of
prayers, and had commenced a repeat when Lucifer appeared in the disguise
of a laborer with spade in hand. Approaching the cave, he held out a bag
of gold and invited the holy Father to follow him. The hermit impatiently
waved his hand and turned his eyes resolutely away from the glittering
lure, while the baffled demon walked off the stage. Confused groans and
shrieks from the imps beneath followed his departure, while the choir of
unseen angels sung with great emphasis--
"With gold he doth the saint assail,
But not with this can the devil prevail."
Public-domain text, read in full here on John Shaqi.
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