Heroines of the CrusadesBloss, C. A. (Celestia Angenette)
History
Heroines of the Crusades
Bloss, C. A. (Celestia Angenette)
Crusades; Crusades -- Biography; Women -- Biography
"This way," said Elsiebede, drawing her mistress from the public street,
now beginning to be thronged with laborers returning from their toil, "the
alchemist brooks not impertinent intrusion, and we must beware that no
officious attendant, nor curious retainer find the place of his abode."
Silently and swiftly the two maidens threaded a narrow alley, leading
through an unfrequented part of the town, turning and winding among
buildings more and more remote from each other, till it terminated on a
grassy heath, surrounding a dilapidated mansion. The sun had already set,
and Berengaria, never too courageous, began to shudder at the loneliness
of the place. With instinctive fear, she clung tremblingly to the arm of
her resolute dependent, whispering, "Whither dost thou lead me? There is
here no sign of human life. Let us return." But the spirited slave bent
the weak will of the mistress to her purpose; and with alternate
assurances of safety and incitements to curiosity, led the way to the rear
of the ruined pile, where descending a stone stair, she gave three raps
upon a low door. The grating of rusty bolts was heard, the door was
cautiously opened, and Berengaria felt herself suddenly drawn within the
portal. A glare of dazzling light blinded and bewildered her, and a
stifling vapor added to her former terror, almost stupefied her senses.
The voice of Elsiebede somewhat reassured her, and as her eyes became
accustomed to the light, she took a survey of the scene before her. The
apartment seemed to have been originally the kitchen of the castle, one
end being occupied by a wide, large chimney, now built up except in the
centre, where a furnace, covered with crucibles, glowed with the most
intense heat. A white screen with a small dark screen before it, nearly
concealed one side, of the apartment, while on the other side from three
serpent-formed tubes connected through the wall with retorts, gleamed
tongues of colored flame. Various gallipots, alembics, horologues,
diagrams, and dusty manuscripts were deposited upon shelves in angles of
the wall.
Public-domain text, read in full here on John Shaqi.
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