It was when she returned this time--after spending the summer of 1894
wandering about the Continent--that Miss Rehan became, for the first
time, a “star” in her own right. Miss Rehan’s loyalty to the Daly
company--or at least her steadfastness in refusing to be weaned away
from it--was rather remarkable. When the opportunity was offered her to
appear as a “star” and not merely as a member, drawing a fixed salary,
of Mr. Daly’s company, she at first refused. Finally she consented to
a brief tour, to supplement her usual work with Mr. Daly. Again, while
she was abroad she had received an offer from Possart to appear with
him at his theatre in Munich, another from Blumenthal, a third from
Sarah Bernhardt, and still another from a syndicate in London to manage
and head a company there. In New York, one of Mr. Daly’s rival managers
offered her “backing” as a “star” to the extent of $50,000. Miss Rehan
refused all these offers, and remained content as leading woman of the
Daly stock company. Even now the independent tour was limited to ten
weeks; then she returned to New York and her usual duties.[148]
In 1897 Mr. Daly sent Miss Rehan and his company on another English
tour. Beginning (on August 26) with a performance of _As You Like It_,
at Stratford-on-Avon, on the sward of the Shakespeare Memorial (of
which Miss Rehan was made one of the life governors) they proceeded to
the larger provincial cities, as far as Glasgow and Edinburgh, playing
_The Taming of the Shrew_, _As You Like It_, _Twelfth Night_, _The
School for Scandal_, and _The Last Word_. The results of the tour were
all Mr. Daly could have hoped. Miss Rehan, as Katherine, in particular,
swept all before her.
Public-domain text, read in full here on John Shaqi.
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