Though a stage career was inevitable for her, Mary Anderson did not
come of theatrical people. Her father, who died when she was four,
was of English birth and Oxford education, and as he was a personally
charming man of artistic tastes and devoted to books and the drama, it
was undoubtedly from him that she derived much of her temperamental
equipment for her work. Her mother, Marie Antoinette Leugers, was a
Philadelphian of German parentage, one of a large family rigorously
trained in the Catholic faith. Pious books, and not plays, formed
the mental food of that household, and the children were forbidden
to enter the theatre. The young Marie had been but little outside
this austere circle when she met and loved the also youthful Charles
H. Anderson, who then lived in New York. Opposition to the match was
natural, as young Anderson was not only not a Catholic but was looked
on by Marie’s parents as one of the worldly. He seems to have been a
thoroughly estimable young man, however, who was merely not of their
stamp. When the young couple were forbidden to see each other, it did
not take long for a secret correspondence to lead to an elopement.
Anderson was apparently of some means. He and his young wife, then
but eighteen, spent a leisurely year in New York and Philadelphia,
and in 1859 went by sea to California. In Sacramento, at the Eagle
Hotel, on July 28, 1859, was born their daughter. She was given almost
her mother’s name--Mary Antoinette Anderson. The young mother, it
will be remembered, was of a German family. It is perhaps not too
fanciful to think that the beauty of Mary Anderson, which was later the
treasured boon of two countries, was in part noticeably Teutonic and
traceable to her mother. But this beauty did not manifest itself at
once. The babe was red and ugly, in the manner of babes, and the still
childlike mother was a week or so in reconciling herself to her child’s
unpromising aspect. Then, however, also as usual, it was clear to her
that there never was such another baby.
[Illustration: MARY ANDERSON]
Public-domain text, read in full here on John Shaqi.
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