At this time (1885) it was proposed that Mary Anderson play _As You
Like It_ in the Shakespeare Memorial Theatre at Stratford, and she
gladly accepted. She had never played Rosalind, and she studied the
character carefully. The occasion aroused great interest, and the
usually placid village was a gay place. The journalists were there
from London, people came from far and near for the play, the stage was
decorated with flowers from Shakespeare’s own garden. The audience was
distinguished and appreciative. The dean of American critics, William
Winter, was present, and, in his words, “It was for her [Miss Anderson]
that the audience reserved its enthusiasm, and this, when at length she
appeared as Rosalind, burst forth in vociferous plaudits and cheers, so
that it was long before the familiar voice, so copious, resonant, and
tender, rolled out its music upon the eager throng and her action could
proceed. Before the night ended she was continually cheered.” After
a provincial tour ending in Dublin, where her admirers gathered in
thousands under her window and sang _Come Back to Erin_, Miss Anderson
in September, 1885, returned to her own country after an absence of two
years.
The accounts that preceded her of the remarkable scene that took
place in the Lyceum on her last night in London added interest to her
reappearance in America. One who was present that night wrote: “During
the evening it was manifest from the fervor of the applause with which
she was favored during the performance of _Pygmalion and Galatea_ and
_Comedy and Tragedy_ that the audience was exceptionally sympathetic,
but no idea of the scenes which followed the descent of the curtain
even entered the wildest dreams of any one present. The audience had
been all the evening quivering with emotion. As the curtain fell Miss
Anderson was loudly called for, and after the storm of applause which
greeted her presence had subsided to some extent, the lady, who was
transfigured with the excitement of the moment, said: ‘Ladies and
gentlemen--the dreaded last night has come--dreaded at least by me.
I have to part with you who have been so kind to me. The delight I
naturally feel at the prospect of returning to my native country is
tempered with a great regret, saddened by the thought that I must leave
you. I little imagined when I came before you for the first time, a
stranger feeling very helpless, tremblingly wondering what your verdict
on my poor efforts would be, how soon I should find friends among
you or what pain it would cost me to say, as I must say to-night,
“good-bye” to you. You have been very, very good. I have tried hard
to deserve your goodness. Please do not quite forget me. I can never
forget you or your goodness to me. I hope I am not saying good-bye to
you forever. I want to come back to you. [Tumultuous applause and cries
of ‘Do! Do!’ ‘Why leave at all?’] Dare I hope you will be a little glad
to see me. [Loud cries ‘We will!’ ‘Yes!’ etc.] I shall be very glad
to see you.
Public-domain text, read in full here on John Shaqi.
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