The sweetness and simplicity of Maude Adams herself and of her acting
comes in part, one is tempted to think, from her very real love of
nature. She has a New York home--and a quiet retreat it is--but her
real abiding place, when her work permits, is at Sandygarth Farm on
Long Island, where she owns what may fairly be called an estate. She
has there her stables, her kennels, her fields under cultivation, her
woods; and she knows the details of farming only less well than the
secrets of stagecraft. She has, too, a bungalow in the Catskills.
She is fond of riding and of long walks in the country. Books form
an inevitable furnishing in all three houses. She has given herself
a good schooling in French, and she is on more than speaking terms
with the philosophers and poets. She likes foreign travel, and has
made several trips to Europe and the near East. She plays well the
piano and the harp and when opportunity offers she goes to symphony
concerts. Altogether she is a serious-minded devotee of the essential,
the beautiful and the simple. She is of course aware of her own great
popularity. But the feeling it inspires in her is said by her friends
to be one of humility and wonder. And whatever her rank as an artist,
she has sent across the footlights her simplicity, her sense of
sweetness and light, to be a beneficent influence. Her picture, cut
from a magazine and pinned to the wall of a ranch house in the far
West, or of a tenement in the slums of an Eastern city, is a symbol of
something good added to American life.
SOME AMERICAN ACTRESSES OF TODAY
“There is no great acting now,” the veteran theatregoer will tell you.
“The day of the stars has passed.” He who remembers vividly Charlotte
Cushman, Edwin Booth and Madame Janauschek feels that times have
changed indeed. And he is quite right. But sometimes he is sure, with
Mr. Winter, that they have changed altogether for the worse. And there
he is wrong. If it seems true that with the passing from our stage
of Madame Modjeska, Miss Rehan and Miss Marlowe the robes of high
priestess of our stage, to whom all the people delight to burn incense,
grace alone the slender form of Miss Maude Adams, that fact does not
necessarily argue a lack of genius in the artists that remain. We are,
on the whole fortunately, abolishing the rank of high priestess.
Public-domain text, read in full here on John Shaqi.
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