[58] In 1877 Edwin Booth had, rightly enough, declined to play with
Modjeska. In 1889, however, it was another story. Lawrence Barrett,
at that time Booth’s manager, proposed her appearance as a “co-star.”
Modjeska gladly availed herself of the opportunity to act with Mr.
Booth, and played with him in _Hamlet_, _Macbeth_, _The Merchant of
Venice_, _Much Ado about Nothing_, and _Richelieu_. The tour took them
throughout the East and the Middle West.
[59] The entire party would leave their farm and go on short vacation
trips. Of one of these, Modjeska says: “I listened and looked at
everything, but I grew quite sad when I turned my eyes toward the
ocean. The blue waters of the great Pacific reminded me of our first
sea-voyage when we left our country. The recollections of the happy
past, spent among beloved people,--Cracow, with its churches and
monuments, the kind friends waiting for our return, the stage, and the
dear public I left behind,--all came back to my mind, and I felt a
great acute pang of homesickness. I stepped away from the rest, threw
myself on the sand and sobbed and sobbed, mingling my moans with those
of the ocean, until, exhausted, I had not one drop of tears left in my
eyes. A sort of torpor took the place of despair, and the world became
a vast emptiness, sad and without any charm.”
[60] Of the Imperial Theatre in Warsaw.
[61] He became an American citizen and dropped his title of nobility.
Because of the difficulty in pronouncing Chlapowski, he was known in
America by his second name, and was called Mr. Bozenta.
[62] “Hill was a worthy man and a good actor ... but there will
always be something ludicrous in the thought of Barton Hill sitting
in judgment on Helena Modjeska. ‘He was very kind--Meester Hill,’
said the actress; ‘but he was ne-ervous and fussy, and he patronized
me as though I were a leetle child. “Now,” he said, “I shall be very
critical--ve-ery _severe_.” I could be patient no longer: “Be as
critical and severe as you like,” I burst out, “only do, please, _be
quiet_, and let us begin!” He was so surprised he could not speak, and
I began at once a scene from _Adrienne_. I played it through and then
turned to him. He had his handkerchief in his hand and was crying. He
came and shook hands with me and tried to seem quite calm. “Well,” I
asked, “may I have the evening that I want?” “I’ll give you a week, and
more, if I can,” he answered.’”--William Winter, _The Wallet of Time_.
[63] It was John McCullough who at this time suggested the modification
of her name. Her professional name in Poland had always remained
Modrzejewska. When confronted with this, McCullough said: “Who on earth
could read that, I wonder? I fear you will be compelled to change
your name, Madame.” She suggested Modgeska, which he smilingly said
would remind people of Madagascar. The “g” was changed to “j.” “Now,”
McCullough said, “it is quite easy to read, and sounds pretty, I think.”
Public-domain text, read in full here on John Shaqi.
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