At the _Théâtre Réjane_: _La Savelli_, 1906; _Paris-New York_, _Suzeraine_, _Les Deux Madame Delauze_, 1907; _Qui Perd Gagne_, _Israël_, 1908; _Trains de luxe_, _L’Impératrice_, _Le Refuge_, 1909; _Madame Margot_, _La Flamme_, _M’Amour_, 1910; _L’Enfant de l’Amour_ (at the _Porte St. Martin_), _La Revue Sans-Gêne_, 1911; _L’Aigrette_, _Un Coup de Téléphone_, _Aglaïs_ (at _Comédie Royale_), 1912; _Alsace_, _L’Irrégulière_, 1913; _Le Concert_, 1914. [99] “Her queer little face catches hold of you, by both the good and bad elements in your nature. All the intelligence, the devotion, the pity of a woman are to be read in her wonderful eyes, but below there is the nose and mouth of a sensual little creature, a vicious, almost vulgar, smile, lips pouted for a kiss, but with a lingering, or a dawning, suggestion of irony. Moreover, she is exactly the reigning type, the type that one meets constantly on the Paris pavements when the shop girls are going to lunch. If you happen to be born _marquise_ or _duchesse_ you copy the type, and the result is all the more piquant.”--Augustin Filon, “The Modern French Drama.” [100] The Boston _Courier_, May 19, 1895. [101] Her second American season began in New York, Nov. 7, 1904. During this tour she appeared for the first time in America in _Amoureuse_, _La Passerelle_, _Zaza_, _La Petite Marquise_, and _La Hirondelle_. [102] Originally _Madame Sans-Gêne_ was to have been produced at the _Grand-Théâtre_, of which M. Porel, Réjane’s husband, was manager. He gave up the house, however, before the play could be given. Other managers begged for it, but of each in turn M. Sardou demanded: “Have you Réjane in your company?” and as the answer was always in the negative, he added: “Then there is no use of our talking about it.” Soon M. Carré admitted M. Porel to a co-directorship of the _Vaudeville_, and there the play was produced, with immediately great success. M. Sardou was not the sole author. He had considerable help from M. Moreau. [103] Correspondence of Frederick Roy Martin in the _Boston Transcript_, November 9, 1904. [104] Dec. 29, 1906. [105] In 1906, she attempted, with M. Gaston Mayer, to found a French repertoire theatre in London, but the experiment was not successful and lasted only one season. [106] It is probably for this comedian that the street _Calle Duse_ in Chioggio, near Venice, is named.