Hertzian Wave Wireless TelegraphyFleming, J. A. (John Ambrose), Sir
Science
Hertzian Wave Wireless Telegraphy
Fleming, J. A. (John Ambrose), Sir
Electric waves; Telegraph, Wireless
In comparison with so-called coherers, those depending upon the
changes in the magnetisation of iron by electrical oscillations
certainly have an advantage, because this is a process which requires
the application of alternating electric currents decreasing in
strength for a certain time; and it is found, therefore, that the
magnetic receivers do not require to be associated with such a stiff
or irresponsive resonant circuit to confine their indications to
oscillations or waves of one definite period, and that they lend
themselves much more perfectly to the work of "tuning" or syntonising
stations than do those kumascopes depending upon the contact or
coherer principle.
We may then glance at the alternative solutions of the problem offered
by other investigators. M. Blondel has proposed to effect the
syntonisation of two stations, not by syntonising the receiver for the
exceedingly high-frequency oscillations of the individual electric
waves, but to syntonise it for the much lower frequency, corresponding
to that of the intervals between the groups of waves. Thus, for
instance, if an ordinary simple transmitting aerial is set up, the
production of sparks between the spark balls results in the emission
of short trains of waves, each of which may consist of half a dozen or
more individual waves, the time of production of the whole group being
very small compared with the interval between the groups. M. Blondel
proposes, however, to syntonise the receiver, not for the
high-frequency period of the waves themselves, which may be reckoned
in millions per second, but for the low-frequency period between the
groups of waves, which is reckoned in hundreds per second. Thus, for
instance, if sparks are made at the rate of fifty or a hundred per
second, they can be made to actuate the telephone receiver and so
produce in the telephone a sound corresponding to a frequency of 50 or
100; in other words, to make a low musical note or hum. This
continuous sound can be cut up, by means of a key placed in the
primary circuit of the transmitting arrangement, into long or short
periods, and hence the letters of the alphabet signal.
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