Hesperus; or, Forty-Five Dog-Post-Days: A Biography. Vol. I.Jean Paul
General
Hesperus; or, Forty-Five Dog-Post-Days: A Biography. Vol. I.
Jean Paul
Fiction
For one who drinks coffee and sets out to make a description of any
school-act of the Court,--e. g. of a Court-day, of a marriage, (in
fact, of the preliminaries thereof,) of a Transfer,--such a drinker
pledges himself to reproduce scenes, whose dignity is so extremely fine
and fugitive that the smallest false by-stroke and half-shadow makes
them perfectly ridiculous,--hence even spectators, on account of such
accidental touches, laugh at them _in naturâ_;[121]--he pledges
himself, I say, so to reproduce such scenes, bordering on the comic,
that the reader shall remark the dignity, and be as little able to
laugh at them as if he himself were one of the performers. It is true I
may presume to count upon myself somewhat, or rather upon the fact,
that I myself have been at Courts and acted the part of master of the
Harpsichord (whether this was a mask of higher honors or not, I leave
here undecided); from a privilege, then, which has fallen to me alone
of almost the whole scribbling Hansa, and to which I actually and
gladly own my indebtedness for that preponderance which has (by some)
been detected in me over the so inferior crew of authors in the
_Scientiâ media_[122] of courts,--therefrom, I say, one should promise
one's self almost extraordinary things. I fear, however, we shall come
off slimly; for I was not even able to rehearse to my pupil Gustav the
crown-suit in Frankfort seriously enough to make him leave off
laughing. So, too, Yorick never could scold in such a way as to drive
his people off, but they always took it as a joke.
It would have been my misfortune if I had depicted the transfer of the
Princess (I thought at first, to be sure, there would then be more
dignity in it) under the figure of the transfer of a house to creditors
sealed with a chip of the door, or as a transfer of a fief by
_investitura per zonam_, or _per annulum_, or _per baculum
secularem_.[123] But I have luckily hit upon the thought of portraying
the transfer, under the poetic garb of a historical benefit-comedy,
with that dignity which theatres give. I have, for that purpose,
as much and more unity of place--(three chambers)--of time--(a
forenoon)--and of interest--(the whole joke)--in my hands, as I need.
And if an author reads through beforehand, into the bargain, as I do,
the saddest serious works, Young's Night Thoughts, the uncatholic
_gravamina_ of the Lutherans, the third volume of Siegwart, and his own
love-letters; if, further, he has never yet trusted himself, without
first laying before him and running through Home's and Beattie's
excellent observations on the source of the comic, in order to know at
once what comic sources he was to avoid;--such an author can safely,
without fear of vainglory, make and fulfil the promise to his readers,
that, thus comically guarding himself against the comic, he may perhaps
be able, not wholly without touches of sublimity, to deliver and depict
the following
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