Hesperus; or, Forty-Five Dog-Post-Days: A Biography. Vol. II.Jean Paul
General
Hesperus; or, Forty-Five Dog-Post-Days: A Biography. Vol. II.
Jean Paul
Fiction
The blessed mortal rose up and journeyed on in the feeling of
immortality through the spring-life pulsating around him; and he
thought that man, in the midst of so many examples of immutability,
erroneously translated the distinction between his sleep and waking
into the distinction between existence and non-existence. Now his
vigorous, exuberant feelings welcomed every noise, the stroke of the
trip-hammer in the woods, the rush of spring-waters and spring-winds,
and the whir of the partridge.--
At three o'clock in the morning he looked down on Maienthal. He came
upon the mountain relieved by five solitary fir-trees, on which one can
see through the whole village, and again over to the other mountain,
where the weeping birch shades his Emanuel. The embowered cell of the
latter he could not discern, but all the windows of the convent where
his loved one dreamed glistened in the sparkling moonlight. The rapture
of night was still in his breast, and the burning glow of dreams on his
countenance;--but the valley drew him out to the earth, and only gave
his flowers of joy a _firmer_ soil; and the morning-wind cooled his
breath, and the dew his cheeks. The tears rose into his eyes, when they
fell upon the white-curtained windows, behind which a lovely, a wise, a
loved and loving soul was completing its guileless morning-dreams. Ah!
dream, Clotilda, of thy friend, that he is near thee, that he is
turning his overflowing eyes toward thy cell, and that he will vanish,
if thou appearest, and that, nevertheless, he is growing more blessed
from moment to moment,--ah! he too, indeed, is dreaming, and when the
sun rises, the beloved vale will have sunk like thy dream with the
starry heaven.--O, the mountains, the woods, behind which dwells a
beloved soul, the walls which enclose her, look upon man with a
touching magic, and hang before him like sweet curtains of the future
and the past.
The mountain brought before him the image of the painter who had once
been here for the purpose of sketching Clotilda's charms, like a
golden age, as it were, only from a distance, and so of drawing them
nearer,--and this again led his eye into the days of her earlier youth
and her still, pure life at the convent, and it grieved him that a time
had once been, and been lost, in which he had not been able to love
her. As he looked around him, and thought to himself that on all these
paths, by these brooks, under these trees, she had walked, the whole
region became to him holy and living, and every bird that glided over
it seemed to seek his friend, and to love her as he did.
Public-domain text, read in full here on John Shaqi.
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