Hesperus; or, Forty-Five Dog-Post-Days: A Biography. Vol. II.Jean Paul
General
Hesperus; or, Forty-Five Dog-Post-Days: A Biography. Vol. II.
Jean Paul
Fiction
I know nothing more touching and beautiful than a woman's obeisance
when it springs from that deep respect with which alone good maidens
venture to speak their love.--Happy Victor! thy Clotilda received thee
with as much reverence as her teacher. Only the coquette is made by
love more dictatorial[108] (a silicious juristic word!); but the proud
one it makes modest and gentle. Never did he take a meal more
delightedly than in this bright pleasure-villa, before whose open
windows reposed a blue horizon and nearer at hand murmuring avenues,
filled with music, than in this decorated orangery of blooming
girls,--(whereas a gymnasium is a menagerie and a house of sisters an
aviary.)--Victor, who understood how to manage women even better than
men, felt himself as well in the busy ant-hill of these lively maidens,
as in an ant-bath,[109] and he was a second Bee-father Wildau, who
constructed for himself out of the swarm of bees now a beard and now a
muff. More manly sense is required for a certain refined gallantry,
than they have who in their satires confound it with the insipid kind;
just as only mountains afford the sweetest honey. Earnest must be the
groundwork of jest; respect and kindliness, of praise. Victor could
more easily before two than before thirty-two female eyes fall into
embarrassment, which, by the way, is the grossest blunder and Germanism
in female grammar. He had long since learned to combine the volatile
salts of woman's wit with the fixed ones of man's, as well as the art,
in great circles, of setting every soul, every caterpillar, on the
right leaf for its nourishment.
To him who had once said, "I wish I had to converse at least four times
a year with ladies, with whom one should have to apply so much
_tournture_,[110] that one actually would not know what he wanted, and
who were fine even to nonsense,"--to him a high lady like the Abbess,
whom, since the laying down of her high governess-ship, one could
confound a very, very little with a _précieuse_,[111] was a true
refreshment; for he could sketch her at least the physiognomical
fragments of the court with a thousand turns, i. e. a full face with
_five_ dots. But he had in this the still nobler design to draw off his
adoring attention, his heart that sometimes started in the shape of a
tear to his eye, from his beloved Clotilda, in order to spare her a
wholly different attention from his own. In a singular manner his
satirical feeling, precisely, always drew off the Moses' veil from his
serious feelings, from his softened soul,--that is to say, he was not
ashamed of a tear, simply because he knew that his humor could protect
him against the suspicion of exaggeration and against the mocker; just
as, on the other hand and inversely, his playing and flashing of wit
under tears, like phosphorus under water, conserved and nourished its
light.--
Public-domain text, read in full here on John Shaqi.
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