Hesperus; or, Forty-Five Dog-Post-Days: A Biography. Vol. II.Jean Paul
General
Hesperus; or, Forty-Five Dog-Post-Days: A Biography. Vol. II.
Jean Paul
Fiction
In regard to the brain there are two errors; but Heaven save my friends
only from one of them. For from the other Reimarus can guard them, who
has fully proved that the brain is no Æolian harp with trembling
strings, nor a camera-obscura with sliding pictures, nor a barrel-organ
with pins for every idea, which the spirit turns, in order of itself to
play to and from itself its ideas. If now not even the pre-established
_harmony_ of the brain and the mind, nor the mutual _accompaniment_ of
the two, is conceivable, so is their _identity_ absolutely impossible;
and this is precisely the error from which the abovementioned Heaven
has to keep my friends. The materialist must first set up all that
which Reimarus has overthrown; he must petrify in the brain-pap the
millions of picture-cabinets of seventy years, and yet again make them
movable like _Eidophysica_,[137] and deal out the shuffled card-images
to every second of time; he must see to it that these _animated_
dancing images are forced into rank and file. And then, after all, and
only then, does his difficulty properly begin; for now--even if we
grant him that the images see themselves, the thoughts think
themselves, that every imagination darkly mirrors all others, and even
the conscious "I," as a monad, does the universe--now (we say) he must
first get him a generalissimo who shall command and array this
immeasurable, fluctuating host of ideas, a compositor who shall set up
the idea-book from an unknown manuscript, and, when dreams, fevers,
passions, have shaken all the letter-cases into _pi_, shall rearrange
all the letters alphabetically. This ruling unity and power--without
which the _symmetry of the microcosm_ is as inexplicable as that of the
_macrocosm_, that of _the ideal world_ as that of the _actual_--is
precisely what we call a spirit. To be sure, by this unknown power
neither the origin nor the succession of ideas is _mediated_ or
explained, but, assuming only the known force of matter, motion, all
that is not only incredible, but absolutely impossible; and
Leibnitz can more easily explain motion by dark imaginings, than
the materialist can imaginings by motions. In the former case motion is
only semblance, and exists only in the second contemplating being, but
in the latter the representation would be show and would exist in the
second--_representing_ substance.
Public-domain text, read in full here on John Shaqi.
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