Hesperus; or, Forty-Five Dog-Post-Days: A Biography. Vol. II.Jean Paul
General
Hesperus; or, Forty-Five Dog-Post-Days: A Biography. Vol. II.
Jean Paul
Fiction
Victor had so much to say to her, and had so few minutes more left for
it; and yet not so much joy as reverence made him dumb,--for sacred to
the loving heart is the form that has said to it, I am thine. But think
not he would make any such rude request to her, as that she would stay
here on his account; only the _question_ whether he might visit her in
_Maienthal_, only the _prayer_ that she would take thought of her
recovery, can he venture upon. Clotilda had only one to make to him,
which she could not sufficiently veil over, namely, that, for the sake
of her jealous brother, he would not see her in Maienthal.
During the lingerings of rapture, they hear the bells of the second
sleigh. Haste necessitated courage. Victor transformed his _prayer_
into the _wish_ that spring might favor the design of her journey
(restoration to health), and the _question_ into the _joyful thought_
how happy she would be in Maienthal by the side of Dahore, how blest he
had once been there, and how little he had once dreamed that one could
ever be still more so there. Clotilda answered (probably to his wish of
following her thither): "I leave behind quite as much to you,--my
_brother_ and your _friend_; forget not my former prayer."
Not until the approaching parents reminded Clotilda to throw back her
veil, and admonished her beloved to take his first leave of the heart
which he had won,--not till then did they both look far into the great
Eden which had opened around their life,--and the bright moment which
now darted by in the stream of time projected into eternity the images
of two heavenly forms,--one unveiled, pale-red, transfigured with
tears, and one glorified by love, radiant with the reflection of hope.
And now let no longer the hand sketch souls, which not even the great,
glowing eye of love can portray....
When the parents came, he felt, but he forgave, all possible contrasts.
He soon took his leave, that he might at home, in the silence of night,
throw the first prayerful glance over the stream of his future life,
which now glided on toward the grave in lines of beauty, and in which
gay minutes played like goldfishes.
In the stillness of night, not far from his wax-mummy, the happy one
thought to fall down before the Infinite Genius and thank him, with new
tears, for this night, for this friend, of whom he is the first love.
But the thought of doing it is the deed, and O, how could our touched
heart, which even before men is dumb, find any other words before the
Infinite than tears and thoughts?
And in this resigned frame, full of deep tranquillity, wherein I lay
down the pen, mayst thou, dear reader, lay aside this book, and say
with me, There may well be more sad days that will conclude like the
Twenty-eighth Dog-Post-Day.
* * * * *
PREFACE TO PART III.
(_Which in the first edition came on a dozen sheets earlier_.)
Public-domain text, read in full here on John Shaqi.
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