Hey Rub-a-dub-dub: A Book of the Mystery and Wonder and Terror of LifeDreiser, Theodore
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Hey Rub-a-dub-dub: A Book of the Mystery and Wonder and Terror of Life
Dreiser, Theodore
American essays -- 20th century
To my humble way of thinking, the ancient Greeks and the various
theogonies of the ancient pagan world (Egyptian, Chaldean, Hindu) were
at least as plausible in their apprehension of a troublesome disorder.
The Old Testament and all other forms of ancient pagan literature
suggest the general and very natural conception, based on the evidence
of life itself, that various gods were or are contending via various
forms of life (animal, vegetable and mineral) for some form of
expression here on earth, and that the various things which they make
(or the one thing which each makes, its image and likeness perhaps) is
opposed to all others here. Pagan thought reeked with the feeling of
contests between gods or creators or controllers of this, that and the
other, and in the Sinaitic interpretation of life just quoted we see
something of the same thing; also in what small consideration man was
held by his alleged special Creator. Evidently the conclusion reached by
the thinking elders of the pagan world was that man, in so far as his
own special Creator was concerned, was viewed with sinister opposition
by the power which made him. It did not want him to amount to anything.
Indeed he was very, very plainly conscious of the inimical attitude of
Nature, or rather man’s especial God or Creator, toward him. He was not
as yet deluded by the Christian phantasm that man is made in the image
and likeness of his Creator, who is highly considerate of him, and that
the world was made for man, or that because of faith, good deeds,
special forms of self-abnegation and self-effacement he is to be
reserved to eternal bliss hereafter although there is no especial reward
for him here and now. And this is excellent indeed as illustrating a
force or forces of a creative turn which might wish to use man as man
uses any other minor implement for the accomplishment of any purpose he
may have, but not very complimentary to him as an illustration of his
own free and creative powers.
And, curiously, modern chemistry with its various tropisms--helio,
magnetic, stereo and chemo--together with its legal part, physics, does
little better by him. Already they tend to show that he is merely--and,
what is worse, accidentally so--an evoluted arrangement of attractions
and repulsions, arranged by chemicals and forces which desire or cannot
escape whorls or epitomes of complicated motions and emotions or
attractions which take the odd forms presented by men and animals.
Public-domain text, read in full here on John Shaqi.
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