What died symbolically or had to die was represented by an old man who sacrificed himself after suffering all kinds of fortune. The dying of this old man signified, as analysis showed, the same thing that we call the “putting off the old Adam” (turning over a new leaf). The figure of the old man, originally Lea’s grandfather, then her father, came to have this meaning only after a long process of intro-determination. A few more examples for typical figures. In many dreams of a woman analyzed by me (Pauline, in my treatise Zur Symbolbildung), a cow appears as a typical image. The alternation of this cow with more or less definite mother symbols leads to identification of the cow with the mother. Two circumstantial dreams that were fully analyzed showed, however, that the cow and other forms with which she alternated cannot be translated so correctly by the concept of mother as by that of the maternal authority and finally still more correctly by self-criticism or conscience, of which maternal authority is but a type. Children figure in Pauline’s case as a result of various experiences, as typical of obstacles. In the case of another dreamer the father stands in similar relation as the determinant that paralyzes his resolutions. The climbing of an ascent, usually a symbol of coitus (hurrying upward which makes us out of breath), turns out often in a deeper relation as the effort to get from the disagreeable things of life to a place of retreat (lonely attics, etc.), inaccessible to other persons (= thoughts); and now we see that this deeper meaning appears without prejudice to the first, for even coitus, like all transport, is only a special case of flight from the outer life, one of the forms of spiritual oblivion. Hence in part the mythologically and psychopathologically important comparison of intoxication, intoxicating drink and sperm, soma and semen. Ascent = coitus is in this case a type for a quite comprehensive class of experience. Marcinowski found in his analyses that the father in dream life often was a “symbol of an outlived, obsolete attitude.” (Z. Bl. f. Ps., II, 9.) Other examples of types are the phallus, the sun and other religiously revered objects, if we regard them as does Jung (Wandl. u. Sym., Jb. ps. F., III-IV) as a symbol of the libido. [The concept of which is extended by Jung almost to Schopenhauer’s Will.] The typical character of divine personalities is moreover quite clearly emphasized by Jung himself.