I was at the judgment that condemned the Son of God to the cross. I was an overseer at Nimrod’s tower building. I was in the ark with Noah. I saw the destruction of Sodom. I was in Africa before Rome was built. I came hither to the remains of Troy (i.e., to Britain, for the mystical progenitor of the Britons boasted a Trojan parentage). I was with my Lord in the asses’ manger. I comforted Moses in the Jordan. I was in the firmament with Mary Magdalene. I was endowed with spirit by the kettle of Ceridwen. I was a harper at Lleon in Lochlyn. I suffered hunger for the son of the maiden. I was in the white mountains in the court of Cynvelyn in chains and bondage, a year and a day. I dwelt in the kingdom of the Trinity [Tri-unity]. It is not known whether my body is flesh or fish. I was a teacher of the whole world and remain till the day of judgment on the face of the earth. [Briefly, Taliesin has the ubiquity of [Symbol: Mercury].] I sat on the shaken chair at Caer Seden [Caer Seden is probably the unceasingly recurrent cycle of animal life in the center of the universe.], which continually rotates between the three elements. Is it not a marvel that it does reflect a single beam?” Gwyddnaw, astonished at the evolution of the boy, requested another song and received the answer: “Water has the property of bringing grace; it is profitable to devote one’s thoughts aright to God; it is good warmly to pray to God, because the grace which goes out from him cannot be thwarted. Thrice have I been born; I know how one has to meditate. It is sad that men do not come to seek all the knowledge of the world, which is collected in my breast, for I know everything that has been and everything that will be.” (Nork. Myth. d. Volkss., pp. 662 ff.) The story of Taliesin closely harmonizes with that of Hermes in the Smaragdine tablet. Nork makes some interesting observations, which besides the nature myth interpretation, contains also an allusion to the idea of spiritual regeneration. I have already mentioned that the uterus symbol is frequently the body cavity of a monster. Just as in the previous myth the hero by introversion gets three marvelous drops, so in the Finnish epic Kalevala, Wäinämöinen learns three magic words in the belly of a monster, his dead ancestor Antero Wipunen. The gigantic size of the body of the being that here and in other myths represents the mother, has an infantile root. The introverting person, as we know, becomes a child. To the child the adults, and of course, the mother, are very large. For the adult, who becomes a child and revives the corresponding images, the mother image may easily become a giant.