Deaf women -- Fiction; Father figures -- Fiction; Painters -- Fiction; Psychological fiction; Young men -- Fiction
But circumstances unhappily kept him too much apart from Mrs. Thorpe,
and so prevented the natural growth of a good feeling, which flourished
only under her influence: and which, had it been suffered to arrive at
maturity, might have led to his reform. All day he was at the office,
and his irksome life there only inclined him to look forward with
malicious triumph to the secret frolic of the night. Then, in the
evening, Mr. Thorpe often thought it advisable to harangue him
seriously, by way of not letting the reformed rake relapse for want of
a little encouraging admonition of the moral sort. Nor was Mr. Yollop at
all behindhand in taking similar precautions to secure the new convert
permanently, after having once caught him. Every word these two
gentlemen spoke only served to harden the lad afresh, and to deaden the
reproving and reclaiming influence of his mother’s affectionate looks
and confiding words. “I should get nothing by it, even if I _could_ turn
over a new leaf;” thought Zack, shrewdly and angrily, when his father
or his father’s friend favored him with a little improving advice: “Here
they are, worrying away again already at their pattern good boy, to make
him a better.”
Such was the point at which the Tribulations of Zack had arrived, at the
period when Mr. Valentine Blyth resolved to set up a domestic Drawing
Academy in his wife’s room; with the double purpose of amusing his
family circle in the evening, and reforming his wild young friend by
teaching him to draw from the “glorious Antique.”
CHAPTER X. MR. BLYTH’S DRAWING ACADEMY.
When the week of delay had elapsed, and when Mrs. Blyth felt strong
enough to receive company in her room, Valentine sent the promised
invitation to Zack which summoned him to his first drawing-lesson.
The locality in which the family drawing academy was to be held deserves
a word of preliminary notice. It formed the narrow world which bounded,
by day and night alike, the existence of the painter’s wife.
Public-domain text, read in full here on John Shaqi.
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