Deaf women -- Fiction; Father figures -- Fiction; Painters -- Fiction; Psychological fiction; Young men -- Fiction
“I find it difficult still, Master Zack,” replied Mr. Blyth. “Art
wouldn’t be the glorious thing it is, if it wasn’t all difficulty from
beginning to end; if it didn’t force out all the fine points in a man’s
character as soon as he takes to it. Just eight o’clock,” continued
Valentine, looking at his watch. “Put down your drawing-boards for the
present. I pronounce the sitting of this Academy to be suspended till
after tea.”
“Valentine, dear,” said Mrs. Blyth, smiling mysteriously, as she slipped
her hand under the coverlid of the couch, “I can’t get Madonna to look
at me, and I want her here. Will you oblige me by bringing her to my
bedside?”
“Certainly, my love,” returned Mr. Blyth, obeying the request. “You have
a double claim on my services to-night, for you have shown yourself the
most promising of my pupils. Come here, Zack, and see what Mrs. Blyth
has done. The best drawing of the evening--just what I thought it would
be--the best drawing of the evening!”
Zack, who had been yawning disconsolately over his own copy, with his
fists stuck into his cheeks, and his elbows on his knees, bustled up to
the couch directly. As he approached, Madonna tried to get back to her
former position at the fireplace, but was prevented by Mrs. Blyth, who
kept tight hold of her hand. Just then, Zack fixed his eyes on her and
increased her confusion.
“She looks prettier than ever to-night, don’t she, Mrs. Blyth?” he said,
sitting down and yawning again. “I always like her best when her eyes
brighten up and look twenty different ways in a minute, just as they’re
doing now. She may not be so like Raphael’s pictures at such times, I
dare say (here he yawned once more); but for my part--What’s she wanting
to get away for? And what are you laughing about, Mrs. Blyth? I say,
Valentine, there’s some joke going on here between the ladies!”
“Do you remember this, Zack?” asked Mrs. Blyth, tightening her hold of
Madonna with one hand, and producing the framed drawing of the Venus de’
Medici with the other.
“Madonna’s copy from my bust of the Venus!” cried Valentine, interposing
with his usual readiness, and skipping forward with his accustomed
alacrity.
“Madonna’s copy from Blyth’s bust of the Venus,” echoed Zack, coolly;
his slippery memory not having preserved the slightest recollection of
the drawing at first sight of it.
“Dear me! how nicely it’s framed, and how beautifully she has finished
it!” pursued Valentine, gently patting Madonna’s shoulder, in token of
his high approval and admiration.
“Very nicely framed, and beautifully finished, as you say, Blyth,”
glibly repeated Zack, rising from his chair, and looking rather
perplexed, as he noticed the expression with which Mrs. Blyth was
regarding him.
“But who got it framed?” asked Valentine. “She would never have any of
her drawings framed before. I don’t understand what it all means.”
Public-domain text, read in full here on John Shaqi.
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