Deaf women -- Fiction; Father figures -- Fiction; Painters -- Fiction; Psychological fiction; Young men -- Fiction
At this place Mat once more suspended the perusal of the letter. He had
now read on for an unusually long time with unflagging attention, and
with the same stern sadness always in his face, except when the name
of Arthur Carr occurred in the course of the narrative. Almost on every
occasion, when the finger by which he guided himself along the close
lines of the letter, came to those words, it trembled a little, and the
dangerous look grew ever brighter and brighter in his eyes. It was in
them now, as he dropped the letter on his knee, and, turning round, took
from the wall behind him, against which it leaned, a certain leather
bag, already alluded to, as part of the personal property that he
brought with him on installing himself in Kirk Street. He opened it,
took out a feather fan, and an Indian tobacco-pouch of scarlet cloth;
and then began to search in the bottom of the bag, from which, at
length, he drew forth a letter. It was torn in several places, the ink
of the writing in it was faded, and the paper was disfigured by stains
of grease, tobacco, and dirt generally. The direction was in such a
condition, that the word “Brazils,” at the end, was alone legible.
Inside, it was not in a much better state. The date at the top, however,
still remained tolerably easy to distinguish: it was “December 20th,
1827.”
Mat looked first at this, and then at the paragraph he had just been
reading, in Joanna Grice’s narrative. After that, he began to count on
his fingers, clumsily enough--beginning with the year 1828 as Number
One, and ending with the current year, 1851, as Number Twenty-three.
“Twenty-three,” he repeated aloud to himself, “twenty-three years: I
shall remember that.”
Public-domain text, read in full here on John Shaqi.
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