Deaf women -- Fiction; Father figures -- Fiction; Painters -- Fiction; Psychological fiction; Young men -- Fiction
Mr. Blyth’s present depression of spirits was not entirely attributable
to a certain ominous reluctance to leave home, which he had been vainly
trying to shake off since the morning. He had a secret reason for his
uneasiness which happened to be intimately connected with the model,
whose Herculean chest and arms he was now busily engaged in drawing.
The plain fact was, that Mr. Blyth’s tender conscience smote him
sorely, when he remembered the trust Mrs. Thorpe placed in his promised
supervision over her son, and when he afterwards reflected that he still
knew as little of Zack’s strange companion, as Zack did himself. His
visit to Kirk Street, undertaken for the express purpose of guarding the
lad’s best interests by definitely ascertaining who Mr. Mathew Marksman
really was, had ended in--what he was now ashamed to dwell over, or even
to call to mind. “Dear, dear me!” thought Mr. Blyth, while he worked
away silently at the outline of his drawing, “I ought to find out
whether this very friendly, good-natured, and useful man is fit to be
trusted with Zack; and now the lad is out of the room, I might very well
do it. Might? I will!” And, acting immediately on this conscientious
resolve, simple-hearted Mr. Blyth actually set himself to ask Mat the
important question of who he really was!
Mat was candor itself in answering all inquiries that related to his
wanderings over the American Continent. He confessed with the utmost
frankness that he had been sent to sea, as a wild boy whom it was
impossible to keep steady at home; and he quite readily admitted that
he had not introduced himself to Zack under his real name. But at this
point his communicativeness stopped. He did not quibble, or prevaricate;
he just bluntly and simply declared that he would tell nothing more than
he had told already.
“I said to the young ‘un,” concluded Mat, “when we first come together,
‘I haven’t heard the sound of my own name for better than twenty year
past; and I don’t care if I never hear it again.’ That’s what I said
to _him._ That’s what I say to _you._ I’m a rough ‘un, I know; but I
hav’n’t broke out of prison, or cheated the gallows--”
“My dear sir,” interposed Valentine, eagerly and alarmedly, “pray don’t
imagine any such offensive ideas ever entered my head! I might perhaps
have thought that family troubles--”
“That’s it,” Mat broke in quickly. “Family troubles. Drop it there; and
you’ll leave it right.”
Before Mr. Blyth could make any attempt to shift the conversation to
some less delicate topic, he was interrupted (to his own great relief)
by the return of young Thorpe to the studio.
Public-domain text, read in full here on John Shaqi.
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