Deaf women -- Fiction; Father figures -- Fiction; Painters -- Fiction; Psychological fiction; Young men -- Fiction
She could never give any satisfactory account of how she proceeded in
forming her opinions of others. The only visible means of arriving at
them, which her deafness and dumbness permitted her to use, consisted
simply in examination of a stranger’s manner, expression, and play of
features at a first interview. This process, however, seemed always
amply sufficient for her; and in more than one instance events proved
that her judgment had not been misled by it. Her affliction had tended,
indeed, to sharpen her faculties of observation and her powers of
analysis to such a remarkable degree, that she often guessed the general
tenor of a conversation quite correctly, merely by watching the minute
varieties of expression and gesture in the persons speaking--fixing her
attention always with especial intentness on the changeful and rapid
motions of their lips.
Exiled alike from the worlds of sound and speech, the poor girl’s
enjoyment of all that she could still gain of happiness, by means of the
seeing sense that was left her, was hardly conceivable to her speaking
and hearing fellow-creatures. All beautiful sights, and particularly the
exquisite combinations that Nature presents, filled her with an artless
rapture, which it affected the most unimpressible people to witness.
Trees were beyond all other objects the greatest luxuries that her eyes
could enjoy. She would sit for hours, on fresh summer evenings, watching
the mere waving of the leaves; her face flushed, her whole nervous
organization trembling with the sensations of deep and perfect happiness
which that simple sight imparted to her. All the riches and honors which
this world can afford, would not have added to her existence a tithe of
that pleasure which Valentine easily conferred on her, by teaching
her to draw; he might almost be said to have given her a new sense in
exchange for the senses that she had lost. She used to dance about the
room with the reckless ecstasy of a child, in her ungovernable delight
at the prospect of a sketching expedition with Mr. Blyth in the
Hampstead fields.
At a very early date of her sojourn with Valentine, it was discovered
that her total deafness did not entirely exclude her from every effect
of sound. She was acutely sensitive to the influence of percussion--that
is to say (if so vague and contradictory an expression may be allowed),
she could, under certain conditions, _feel_ the sounds that she could
not hear. For example, if Mr. Blyth wished to bring her to his side when
they were together in the painting-room, and when she happened neither
to be looking at him nor to be within reach of a touch he used to rub
his foot, or the end of his mahl-stick gently against the floor. The
slight concussion so produced, reached her nerves instantly; provided
always that some part of her body touched the floor on which such
experiments were tried.
Public-domain text, read in full here on John Shaqi.
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