Absolutely, wholly; yn hollal; entallos; absolute. These signify the whole or all, as quality; the qualities of the different sorts of things being expressed by al, el, il, ol, ul, and their transponents, according to the nature of the expression, and generally in the English, by _ly_ the flow of the sun’s rays, or _y_ the, to form Adverbs from Adjectives. Adjectively; yn adroedd; epitheton; adjective. These signify something cast to, as its quality to a substantive. Affectionately, passionately, pathetically; yn hoffus, yn ofydus; yn wynfydus; pathetikos, agapetos; pathetice. These are expressive of the qualities or energies of those passions. Agedly; yn henaidd; palaios; seniliter, the qualities of age or being long in action. Articulately; yn gymalog; enarthros; articulatim, articulate sounds, or the sounds of the joints. Bodily; yn gorphorol; somatikos; corporaliter, like the body. Cirumstantially; yn amgylcheddol; peristatikos, circumstantialiter, like standing about. Coldly; oerlyd; psuchros; frigide, as deprived of the sun’s heat. Fiercely; yn fyrnig; agrios; ferociter, as the action of fire. Naturally; yn naturiol, anianol; kata physin; naturaliter, as the internal properties of things diffused towards man. Usually; yn arferol; koine; usualiter, as usual. Wisely; yn fynwyrol; sophes; sapienter, like the sight of man. Worthily; yn yrddasol; axios; digne, like the property or value of man. As; mal; os; ut, the surface of the ground, the possessions extended or the earth seen. Why, wherefore; pa achos; par o; cur, what action, motion or spring. Therefore; felly; outos; ita, ergo, the action, spring or thing as seen. Alack, alas; och, ai ho, gwae fi; ai, O, omoi, ouai; ah, eh, hei, heu, ehu, væ. These are interjections or energies of the passions of dislike and lamentation. Aha: aha, wi; euge; euge, a good spring or pleasing interjection. Adieu, hail, farewell; bydd iach; vale, salve, live well, spring and enjoy the ilation of the sun. Amen; amen; amen, outos genoito; amen, ita fiat. Am-en for heaven, and let it be so. Some sketches of the creation, the original and present state of men and animals in our system of beings, the fall of man and other obscure scenes of antiquity, have been drawn from the sacred characters made use of by the Priests and Druids to preserve their original, ancient and secret knowledge, in order to illustrate the present subject, and setting the present confused, deluded, or enchanted state of language and knowledge in a right course and direction. But the press not admitting of their being exhibited in that order and mode, which seemed to be necessary for a compleat transmission of the sacred hieroglyfics, the following specimen must suffice for the present. [Illustration]