High Life in New York: A series of letters to Mr. Zephariah Slick, Justice of the Peace, and Deacon of the church over to Weathersfield in the state of ConnecticutStephens, Ann S. (Ann Sophia)
General
High Life in New York: A series of letters to Mr. Zephariah Slick, Justice of the Peace, and Deacon of the church over to Weathersfield in the state of Connecticut
Stephens, Ann S. (Ann Sophia)
New York (N.Y.) -- Social life and customs -- 19th century
Jonathan gives a Description of the Theatre, Private Boxes, Drop Scene,
&c.--His Ideas of _Miss_ Elssler's Dancing, and Dancing Girls in
general--Jonathan mistakes Williams in his Comic Song of "Old Maids and
Old Bachelors to Sell," for an Auctioneer who is knocking off "La Belle
Fanny," to the Highest Bidder--Jonathan is indignant that she is not
his, after so much hard bidding, by winks, &c.--He flings his Bouquet at
Fanny's Feet--Jonathan's Visit Behind the Scenes, and his Idea of Things
seen there--Gallants Fanny home to the Astor House.
DEAR PAR:
The man who keeps the door at the Park Theatre didn't seem to know me at
fust, but the minit I writ out my name the hull length, and handed it
over, curlecues and all, and told him I wanted the Astor House box, he
was as perlite as a basket of chips. He handed me over to another chap,
who took me up stairs and along a dark entry way, till he ended in a
harnsome leetle pen, all curtained off with red silk, with purty
mahogany frames that slid up and down over a sort of red pulpit cushion
that run round the front side.
The feller he shut me up, and I sot down on one of the chairs in the
box, and took a gineral survey of the theatre. From where I sot, it
looked as if somebody had laid down an allfired big horse-shoe for a
pattern, and then built after it one tier of seats above another till
they got tired of the fun, and topped off with a young sky all covered
over with golden picters and curlecued work.
There was a consarned great curtain hung down afore the stage, with a
sort of an Injun mound in the middle, and a house built on top of it. A
lot of painted fellers hung about the front of the curtain, niggers and
Injuns, some a setting down and some a standing up, and looking like
human meat-axes gone to sleep. One feller that was squat down with his
back leaned agin a post, had something that looked like a bunch of
prime onions with the tops on, stuffed inter his bosom, and he held a
kind of a short handled frying-pan in his hand as if he meant to cook
some and have a smart fry, as soon as he could git tu a fire.
I hadn't sot long when the men begun to stream into the theatre like all
possessed, with a small sprinkling of the feminine gender, jest enough
to take the cuss off and no more.
In less than no time the house was jammed chuck full and running over,
till I raly felt as if it was wicked to keep so much room all to myself,
when the rest was stowed and jammed up so close that you couldn't a hung
up a flax seed edgeways between 'em, but think sez I, every one for
himself--I know when I'm well off, and that's enough. So I leaned over
the cushion, and let one hand hang a leetle over the edge, as
independent as if the whole theatre was mine.
Public-domain text, read in full here on John Shaqi.
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