High Life in New York: A series of letters to Mr. Zephariah Slick, Justice of the Peace, and Deacon of the church over to Weathersfield in the state of ConnecticutStephens, Ann S. (Ann Sophia)
General
High Life in New York: A series of letters to Mr. Zephariah Slick, Justice of the Peace, and Deacon of the church over to Weathersfield in the state of Connecticut
Stephens, Ann S. (Ann Sophia)
New York (N.Y.) -- Social life and customs -- 19th century
I gin her a sort of a knowing squint and a half bow, jest to let her see
that she needn't feel uneasy for fear that I shouldn't toe the mark; and
then I sot still, but awful impatient, till a chap cum in and picked up
a hull armful of the posies. He had to git down on one of his marrow
bones and boost hard at the whopper that I flung; and when Miss Elssler
took 'em all in her arms, and curchied over and over agin, that bunch
of mine lay right agin her bosom, and spread out so as a'most to kiver
her harnsome white neck. Jest as she was a going off on one side, she
gin another of her tarnal sweet squints up to where I sot, and then
stuck that harnsome face of her'n down into my posey so tantalizing, I
swan, I couldn't stand it no longer, but up I got, and in less than no
time I coaxed the door-keeper to show me the way back of the theatre,
where the critter was.
The chap took me along that entry way, up stairs by the Astor House box,
and through a leetle narrow door, and there he left me on the top of a
lot of stairs that looked as if they'd take me down into sumbody's
cellar. Sich a tarnal, dark, pokerish set of things I never did see,
that's a fact. But I'd got the steam up, and there aint no whoa to me at
sich times,--so down I went, hickle-te-picklety, head fust among the
paint-pots and boards, and slabs, and smoky lamps, and arter wandering
around like the babes in the woods, I cum ca-smash right into a room
chuck full of the darncing gals that I'd been half in love with all the
evening.
Oh gracious! it made me sick to think what a tarnal coot I'd been a
making of myself. Some of the critters that I'd thought so darned
harnsome were as old as the hills, and as homely as a sassafras root,
close tu. The paint and white-wash was an inch thick on some of their
faces, and most on 'em were a cutting about the room as awk'ard as a
flock of sheep jest arter shearing time--and these were the light purty
critters that had a'most drove me off the handle, they looked so
harnsome and taking a leetle way off. I swow, but it a'most sot me agin
all the feminine gender to think I'd made such a shote of myself as to
take such a shine to them as I had.
The room was chock full of folks. There were old men and young ones, and
all sorts of critters dressed off jest as I'd seen 'em in the play; but
they didn't look no more like the same critters, close to 'em, than
chalk's like a new milk's cheese. That darn'd leetle Yankee chap was
there, and while I was considering whether it was best to scrape
acquaintance or not, the identical auctioneer that had knocked off the
old maids and widders, and Fanny Elssler into the bargain, stood right
agin me. I felt my dander rise the minit I sot eyes on him, so I went
up to the Yankee chap, and sez I--
"You can't tell me who that chap is, can you?"
The Yankee looked round, and sez he--
Public-domain text, read in full here on John Shaqi.
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